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Buyer | 

Max Rubin 
J.W.Dana 
Mr.B.N.Miller 
J.H.Metcalf 
My s.kE.F.Albee 
Mrs.F.M.Moore 
Max Rubin 
R.Giichrist 
kh .Glendenning 
A.Rudert,agt. 
Mrs.J.Licblang 
J.H.Nicholas 
Fearon Gal. 
J.W.Masters 
ol Munger ,Jr. 
Je.H.Nicholsas 
Mrs.F .Murphy 
“.W.Seaman,agt. 
The Hayden Co. 

f? 
Mrs.F.Murphy 
8 


tt 


Bhrich Gal. 
Me .Nunes 


Sake of the James Warren Lane Collection, at the American 


Art Galléries, Novemver 20*22, 1924. 


Ho. Price Buyer 
301 $ 40. John Dugan 

802 loo. R,Jo nson 
503 30% R Gukcgrust 
504 So.. Ginsberg & Levy 
505 BBS, A.R.Louis 
506 Zoo; " 
307 oo. R.Glendenning 
508. [Lar A.R,Louis 
509 40, " 

3{o 35. Mrse.B.J.Barry 
O11 70. 8.Glendenning 
612 oi. John .Doud 
613 45. H.S,Crystal 
314 105 B.vright 
415 ips Mrs.Bloomingdale 
516 6D. * Glendehning 
O27 4-80. Mr.C.Weeks 
Si8.: SO. R.Gilchrist 
ra a PED. J. .Dans 

Be a gee Mr.B.N.Miller 

th dak 2) BP 175 Mrs.P.J.ELl1iott 

ssi Ala fou. Charles of London 

“325 140. Ginsberg & Levy 
524 2tO, - Wildenstein & Co. 
SLO 200. George Mercer 
peo 410. Mr.B.N.Viller 
Ad § 130. Mr.B.N.Miller 
A ae raeetee. E.Hellwig 

22g 90. Mrs.8.B.Warner 
550. Pell aa W.W.Seaman,agt. 
SS. c.L0 . L.S.Owsley 
Doms 300. A.C .Goodyear 
535 120 Kk Giendenning 
554. 200. im.Forstner 
S90 « yO Mr.J.W,Masters 
456. 200. Cherles of London 
Bot 405. Mr.J.W.Masters 
ted ai 1,850. " 
559. poo. «J. 8.Dana 
540. 260. Mrs.Bloomingdale 
341. 50. Max. Rubin 
348. ZUG. R,Glendenning 
543 D2D. 5.ilMunger,Jr. 
544. 2,900. W.W.Seaman,agt. 
545. 5,000. J .H.Metcalf 
346. 150. Mrs.W.G.Nichols 
547. 10,700. W.W.Seaman,agt. 
348. wi0. H,S.Crystal 
549. had R.Gilchrist 
ooo « Z 200. A.R.Louis 


. ¥ 
» ) 
~ 


ENTIRE CONTENTS OF THE RESIDENCE OF 
JAMES WARREN LANE, ESQUIRE 


> Af Y/ 
ih aj 16 20 4A 
j 


ON FREE PUBLIC VIEW 


FROM SATURDAY, NOVEMBER 15, 1924, UNTIL 
DATES OF SALE +» FROM 9 A.M. TO 6 P.M. 
SUNDAY, NOVEMBER 16, FROM 2TO 5 P.M. 


UNRESTRICTED PUBLIC SALE 


AFTERNOONS OF NOVEMBER 20, 21 AND 22 
AT 2:15 O'CLOCK AND THE 
EVENING OF NOVEMBER 21 AT 8:15 O’CLOCK 


e 


EXHIBITION AND SALE AT THE 


(2) 


AMERICAN ART GALLERIES 


MADISON AVENUE » 56TH to 57TH STREET 
NEW YORK 


View ofr THE Drawine Room 1n Mr. Lane’s ReEstpENCE 


ILLUSTRATED GATALCOGUE OF 


Pee yAMES WARREN LANE COLLECTION 


FRENCH, ENGLISH AND ITALIAN XVIII CEN- 
TURY FURNITURE « IMPORTANT PAINTINGS 
of the FOREIGN AND AMERICAN SCHOOLS » 
CHINESE PORCELAINS, MING TO. CH’IEN- 
eee) FRENCH, ENGLISH AND 
MeeeeneotE ven 7 VELVETS » BROCADES « 
-EMBROIDERIES » A SUPERB TENIERS TAP- 
Pee WERNIFRS OF LILLE ~» CHINESE 
AND PERSIAN RUGS AND AN XVIII CEN- 
See xt) DUIS SON CARPET 


REMOVED FROM 49 EAST 52p STREET, NEW YORK 
AND SOLD BY MR. LANE’S ORDER 


UNDER THE MANAGEMENT OF THE 
PeMERICAN ART ASSOCIATION, INC. 


SALES CONDUCTED BY MR. O. BERNET ®& MR. H. H. PARKE 


he AMERICAN ART ASSOCIATION, Ine. 


“Designs its Catalogues 
and “Directs “All “Details of Illustration, 
ext and Gypography 


THE COLLECTION OF JAMES WARREN LANE 


East 52nd Street, New York City, to the Juilliard Musical 

Foundation a short while ago, Mr. Lane found himself with- 
out a housing for his fine furniture, paintings and works of art, so 
he resolved, rather than charge himself with the responsibility of 
rehousing them, to dispose of them at public sale. A further reason 
was, that his house at St. James, Long Island, was fully complete 
~ in its equipment. 

The interesting facts about the collection are that it was gath- 
ered over a period of twenty-five years and that it was largely acquired 
at the famous sales of the American Art Association, including the 
Yerkes, Thomas B. Clarke, Duc d’Avaray, Stanford White, M. C. D. 
Borden, Garland, Davanzati Palace, the Hood, Catholina Lambert, 
and also from the most responsible dealers of Paris. 

Mr. Lane displayed his fine taste especially in the simple and 
delightful French furniture of the XVIII century, many chairs, fau- 
teuils, drawing-room suites, commodes, tables of varied types and pro- 
portions, and other examples,. being signed by the greatest French 
ébénistes, such as Leleu, Louis Moreau, Dubois, Saunier and Cosson. 

There is also English and Italian furniture of interesting and 
beautiful quality that gives a charming air and variety to the whole. 

The XVII and XVIII century English, French and Italian silver 
presents a wealth of fine coupes, tea and coffee services, salvers, fruit- 
baskets, candelabra, and among the bowls an unusually fine punch bowl 
by Francis Garthorne. 

The Chinese porcelains include a number of fine blue and white 
hawthorn vases and jars of the K’ang-hsi period and fish bowls of 
the Ming period. 

The textiles are of great beauty, jardiniére and other velvets 
vying with the embroideries and brocades in their lovely colors. 

The paintings, which will be sold at an evening session, are notable 
for the catholicity of judgment and discernment shown, for amongst 
the examples are a fine Gilbert Stuart of John Willet Hood, a Pastoral 
by Jean Baptiste Huet, a Blakelock, a Nasmyth, a portrait of Sir 
Joshua Reynolds by himself, a Paul Potter, a Cuyp radiant in the 
sunlight, a Mabuse, a Beechey, two Panninis, two interesting Tie- 
polos, a Weenix of unusual quality, the well-known Guardi, “The 


Wes Mr. Vanderbilt sold the palatial apartment at No. 49 


Masked Ball,” the Allori “Football in Florence,” a Daubigny and 
others of distinction. arias) 

Six large room panels of romantic landscapes by the Hollander 
Piera must also be mentioned for their decorative quality. 

Several tapestries add greatly to the collection by their diate 
and include a Teniers by Werniers of Lille. 

There are a number of K’ang-hsi carpets and a sapphire-blue 
XVIII century Aubusson of great distinction. 


Frank H. G. Kreesre. 


CONDITIONS OF SALE 


I. Rejection of bids: Any bid which is not commensurate with the value of the 
article offered, or which is merely a nominal or fractional advance may be rejected by 
the auctioneer if in his judgment such bid would be likely to affect the sale injuriously. 

II. The buyer: The highest bidder shall be the buyer, and if any dispute arises 
between two or more bidders, the auctioneer shall either decide the same or put up for 
re-sale the lot so in dispute. 

Ill. Identification and devosit by buyer: The name of the buyer of each iot shall 
be given immediately on the sale thereof, and when so required, each buyer shall sign a 
ecard giving the lot number, amount for which sold, and his or her name and address. 

A deposit at the actual time of the sale shall be made of all or such part of the 
purchase prices aS may be required. 

If the two foregoing conditions are not complied with, the lot or lots so pur- 
chased may at the option of the auctioneer be put up again and re-sold. 

IV. Risk after purchase: Title passes upon the fall of the auctioneer’s hammer, 
and thereafter the property is at the purchasers’ risk, and neither the consignor nor the 
Association is responsible for the loss of, or any damage to any article by theft, fire, 
breakage, however occasioned, or any other cause whatsoever. 

V. Delivery of purchases: Delivery of any purchases will be made only upon 
payment of the total amount due for all purchases at the sale. 

VI. Receipted bills: Goods will only be delivered on presentation of a receipted 
bill. A receipted bill presented by any person will be recognized and honored as an order 
by the buyer, directing the delivery to the bearer of the goods described thereon. If a 
receipted bill is lost before delivery of the property has been taken, the buyer should 
immediately notify the Association of such loss. 

VII. Storage in default of prompt payment and calling for goods: Articles not 
paid for in full and not called for by the purchaser or agent by noon of the day following 
that of the sale may be turned over by the Association to some carter to be earried to 
and stored in some warehouse until the time of the delivery therefrom to the purchaser. 
and the cost of such cartage and storage and any other charges will be charged against 
the purchaser and the risk of loss or damage occasioned by such removal or storage will 
be upon the purchaser. 

In any instance where the purchase bill has not been paid in full by noon of the 
day following that of the sale, the Association and the auctioneer reserve the right, any 
other stipulation in these conditions of sale notwithstanding, in respect to any or all lots 
included in the purchase bill, at its or his option, either to cancel the sale thereof or to 
re-sell the same at public or private sale without further notice for the account of the 
buyer and to hold the buyer responsible for any deficiency and all losses and expenses 
sustained in so doing. 

VIII. Shipping: Shipping, boxing or wrapping of purchases is a business in which 
the Association is in no wise engaged, but the Association will, however, afford to pur- 
chasers every facility for employing at current and reasonable rates carriers and packers; 
doing so, however, without any assumption of responsibility on its part for the acts and 
charges of the parties engaged for such service. 

IX. Guaranty: The Association exercises great care to catalogue every lot cor- 
rectly and endeavors therein and also at the actual time of sale to point out any error, 
defect or imperfection, but guaranty is not made either by the owner or the Association 
of the correctness of the description, genuineness, authenticity or condition of any lot and 
no sale will be set aside on account of any incorrectness, error of cataloging or imper- 
fection not noted or pointed out. Every lot is sold “as is” and without recourse. 

Bvery lot is on public exhibition one or mcre days prior to its sale, and the Asso- 
ciation will give consideration to the opinion of any trustworthy expert to the effect that 
any lot has been incorrectly catalogued and in its judgment may thereafter sell the lot 
as catalogued or make mention of the opinion of such expert, who thereby will become 
responsible for such damage as might result were his opinion without foundation. 

X. Records: The records of the Auctioneer and the Association are in all cases to 
be considered final and the highest bid shall in all cases be accepted by both buyer and 
seller as the value against which all claims for losses or damage shall lie. 

XI. Buying on order: Buying or bidding by the Association for responsible 
parties on orders transmitted to it by mail, telegraph, or telephone, if conditions permit, 
will be faithfully attended to without charge or commission. Any purchases so made 
will be subject to the foregoing conditions of sale, except that, in the event of a purchase 
of a lot of one or more books by or for a purchaser who has not through himself or his 
agent been present at the exhibition or sale, the Association will permit such lot to be 
returned within ten days from the date of sale, and the purchase money will be refunded 
if the lot differs from its catalogue description. 

Orders for execution by the Association should be given with such clearness as 
to leave no room for misunderstanding. Not only should the lot number be given, 
but also the title, and bids should be stated to be so much for the lot, and when the 
lot consists of one or more volumes of books or objects of arts, the bid per volume 
or piece should also be stated. If the one transmitting the order is unknown to the Asso- 
ciation, a deposit must be sent or reference submitted. Shipping directions should also 
be given. 

Priced Catalogues: Priced copies of the catalogue, or any session thereof, will be 
furnished by the Association at charges commensurate with the duties involved in copy- 
ing the necessary information from the records of the Association. 

These conditions of sale cannot be altered except by the auctioneer or by an officer 
of the Association. 


AMERICAN ART ASSOCIATION, INC., 
OTTO BERNET, MANAGERS, 
HIRAM H. PARKE, 
AUCTIONEERS. 


INTELLIGENT APPRAISALS FOR 


UNITED STATES ano STATE TAX 
INSURANCE AND OTHER PURPOSES AND 
CATALOGUES OF PRIVATE COLLECTIONS 


cA ppRAISALS AND CATALOGUES. Together 
with the increase in exhibition and sales rooms, the 
American Art Association, Inc., will expand its serv- 
ice of furnishing appraisements, under expert direction, 
of art and literary property, jewelry and all personal 
effects, in the settlement of estates, for inheritance tax, 
insurance and other purposes. It is prepared also to 
supplement this work by making catalogues of the 
contents of homes or of entire estates, such cata- 
logues to be modelled after the finely and intelligently 
produced catalogues of the Association’s own Sales. 


The Association will furnish at request the names 
of many Trust and Insurance Companies, Executors, 
Administrators, Trustees, Attorneys and private in- 
dividuals for whom the Association has made ap- 
praisements which have not only been entirely satis- 
factory to them, but have been accepted by the United 
States Revenue Department, State Comptroller and 
others in interest. 


‘he AMERICAN ART ASSOCIATION, Inc. 


MADISON AVENUE, 56TH TO 571rm STREET 
NEW YORK CITY 


FIRST SESSION 


THURSDAY, NOVEMBER 20, 1924 
AT THE AMERICAN ART GALLERIES 


BEGINNING AT 2:15 O’CLOCK 


Catalogue Numbers 1 to 147 inclusive 


MISCELLANEOUS PORCELAINS AND FAIENCE, BRONZES, 
BRASSES AND SCULPTURES 


I—Batrersea Enamet Box XVIII Century 
Lobed oval body of pink; hinged cover in ivory-white, decorated 
in black with two doves, double heart motive, ribbon and inscrip- 
tions, ‘The farther apart”; and “Tighter the knot.” 


Length, 2 inches. 


2—Ivory Miniature French, XVIII Century 
MLLE. DE BLoIs. ‘Three-quarter length of a charming young 
woman attired in a blue dress, and lace fichu, her curling hair 


bearing two circlets of pearls. She holds on her left arm a 
basket of fruit. In a black frame. 


Diameter, 234 inches. 


3—Two Porcetain Mosevt Barts Kutas, XVII Century 


Oval; variously decorated in apple-green, plum-color and yellow 


with floral motives, rosettes and masks. 
Height, 334 inches. 


4—Oup STAFFORDSHIRE FIcuRE Late XVIII Century 
Reclining cow, in grayish-white glaze. On green base. 


Height, 4 inches. 


5—CuinesrE Treaxwoop Lisation Cup 
HouND. Upper part of body forming the cover. Carved in light 
relief with varied key-fret patterns and small inlaid silver band 


of similar design. even ts 
eight, 4 inches. 


Kindly read the Conditions wnder which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


6—Curmnese Carvep Wuitrt JADE IncENsE Box Chien Period 


A plump little bird seated on the ground; with tail curled down 
and head well drawn in, looking wise, contented and undisturbed. 
The tail is undercut, and the feathers are carefully carved in 
tangible relief. Where the cover lifts off, the outline at breast 
and tail is serrated, following the overlapping feathers, the cover 
therefore fitting firmly. The interior is more brilliantly finished 
than the exterior, and is enriched with a long spray in low relief. 


“Length, 41 inches. 


From the Yamanaka Collection, American Art Association, 1916. 


7—Two Crotsonn&t ENAMELED FicGuRINES Tao-kuang Period 
Standing figures of birds with yellow bodies and brilliantly enam- 


eled wings. 
Height, 5 inches. 


8—Carvep AnD Intam Ivory TrietycH 
Niirnberg, XVI Century Style 
Arched centre and wings displaying in low relief an Emperor 
knighting a squire on the battlefield. Portions of the costumes 


are inlaid with silver. 
Height, 5 inches. 


9—Canton ENAMEL SpPice Box Chinese, Late XVIII Century 
Cylindrical, in three portions with raised top and recessed, 
slightly spreading foot, all outlined in narrow bronze bands. 
Sky-blue and apple-green grounds displaying flowers and recur- 
ring Chinese characters and reserves, framed in rose with water 
birds and flowers. Top depicts a Chinese bazaar. 


Height, 51% inches. 


10—Errvuscan Trerra-cotrra VaAsE IT Century 
Gadrooned urn-shape; with loop handles; terminating in satyr- 


masks having a fine black patina. 
Height, 6 inches. 


First Session 


11 


11—TuHree Worcester Porcetain Cups anp SAUCERS 

: By Flight and Barr, 1789 
Fluted and gauffered rims and shaped looped handles. Deco- 
rated with gilded floral sprays, husk festoons and deep borders 
of shuttle pattern in two shades of blue and with circular medal- 
lions having outer borders of gilded and inned borders of blue 
and gilded dots. Painted with crest, a rampant lion, within 
the Royal Garter bearing its motto “Honi soit qui mal y pense,” 

and surmounted by a crown and lion. 
Height of cups, 3 inches; diameter of saucers, 5%, inches. 


Note: These cups are a portion of the celebrated service made for Prince 
William Henry (afterwards King William IV) when he was created Duke of 
Clarence in 1789. 

(Illustrated) 


12—Patace Dow. Japanese, circa 1750 
Seated and smiling boy, with hands on knees, wearing a large 
silk cap painted in color with brocade pattern, silvered and em- 


broidered with gold thread. On silk crepe cushion. 


From the Yamanaka Collection, American Art Association, 1916. 


18—Patace Dor Japanese, circa 1750 
Smiling boy, holding in his arms one of the pet pigeons which 
the Japanese train in large numbers to become carriers or homing 
pigeons. The bird is gilded and painted in red, green, brown 
and two shades of blue. On silk crépe cushion. 


From the Yamanaka Collection, American Art Association, 1916. 


& 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


14—Frencu Faience Ficurine Nevers, Late XVII Century 


COUCHANT Lion; on molded rectangular base. Decorated in 
polychrome; the base with scrollings. 
Height, 4 inches. 


From the original Henry Symons Collection, American Art Asso- 
ciation, 1915. 


15—Two Forcrep Iron Canp.esticks French, XVI Century 


Lobed and bossed square top, chiseled with scrollings and having 
pricket. Supported on tapering upright legs, having trilobed 
feet. 

Height, 434 inches. 


16—Bow PorcELaIn STATUETTE English, XVIII Century 
THE FLOWER SELLER. Figure of a young girl in eighteenth cen- 
tury costume with green bodice, purple stomacher, white over- 
skirt, pale yellow underskirt and pale purple hat; seated on the 
trunk of a tree with a single blossom in her hand and a lamb 


at her side. On scrolled base. 
Height, 5 inches. 


From the origmal Henry Symons Collection, American Art Asso- 
ciation, 1915. 


17—Lacever Insxranpn MountTep 1n Cutvre Dort Millet, Paris 
Shaped stand of black and gold floral lacquer; fitted with old 
Imari porcelain well. Mounted in finely chiseled cutvre doré 
with scrolled moldings, rims to well and penholder. 


18—SrarrorpsuirE Musrarp Por anp Sart SHAKER 
7 XVIII Century 
Small Toby figures in varicolored costumes; on circular bases. 


Mustard pot with removable hat for cover. 
Height, 6 inches. 


19—Two Potycuromep, CarveED CANDLESTICKS 
Italian, XVIII Century 
Trilobed liliform bobéche; supported on tripod leaf-scrolled base 
with central shell motives. Finished in green and red on old 
ivory. 
Height, 6 inches, 


First Session 


20—Raxxka Faience VASE AV Century 


Oviform, with incurved lip; of delicate iridescence in tender tones 


of silver and blue, with warm tan encrustations. 
Height, 6 inches. 


21—LacavEer Mirror Persian, XVIII Century 
Elongated octagonal case, with inset loose cover; beautifully en- 
riched in colors with bouquets of flowers and birds. 


Length, 61%, inches. 


22—FEarty Sitver Mountep Bouemian Cur Gtass Jar 
Gadrooned ruby body, with clear glass base having lobed stellate 
foot. Silver cover enriched with vine leaves and grapes. 


Height, 6% inches. 


23—PotycHrRoMED Tanacra Figurine 
Grecian lady; seated on a rock, lacing her sandals. Unusually 


fine modeling. 
Height, 7 inches. 


24—Two Smatt Stvres PorceLain JARDINIERES 
Oblong, with scrolled front and straight rear edge; bombé body 
with incurvate back face. On a jeweled bleu de Sévres ground 
are two reserves outlined in gold scrolling, displaying a bouquet 
of naturalistic flowers in delicate colors. Scrolled feet and large 
acanthus leaf wings in white and gold. Marked with crossed 


L’s, B and A. 
Height, 7 inches. 


25—CuinEsE Pottery VAsE 
Urn-shape, with short collar. Glazed in deep old-yellows. 
Height, 7 inches. 


26—Ruvusy Cur Guass BotritE ann Couper 
Bohemian, XVIII Century 


Pear-shaped body with cylindrical neck. Cut in vertical and 
hexagonal facetings. Coupe with sloping sides. 


Heights, 714 and 24% inches. 


From the origmal Henry Symons Collection, 1915. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


27—Potrrery VASE Chinese, Early XVIII Century 
Oviform, with small mouth having domed cover and button ter- 
minal. Glazed in deep apple green. 

Height, 714 inches. 

28—PorycHroME ALHAMBRA TERRE-CUITE TILE 
| Hispano-Moresque, XV Century 
Oblong, with sunk trilobed Gothic arch, scrolled with leaf and 
floral motives at centre and spandrels. Executed in fine blue, 
apple-green, yellow and brown on ivory grounds. Framed. 


( Cracked.) 
Height, 44% inches; length, 10% inches. 


From the ancient Santacana Collection, Barcelona. 


29—Earty Wepewoop Basket witH Cover 
Cream-white glaze. Rope edge, pierced sides and applied deco- 
ration of floral garlands. 
Height, 7 inches; length, 1014 inches. 
From the Havemeyer Collection, American Art Association, 
1914. 


30—Two Frencu F'sience PotycHromep Fruir Baskets 
Deep, bowl-shaped baskets on small claw feet; decorated with 
flower-sprays in colors, on lemon-yellow ground. Filled with 
varied porcelain fruit in naturalistic colors. 
Diameter, 84, inches. 
31—Ivory anp Goup Iniaip Travertine Mirror 
Persian, XVII Century 
Semicircular case, with hinged cover. Enriched with finely in- 
laid, closely placed minute stellate motives as fields and bandings 
on all surfaces; the crown and foot with lobed and ogival medal- 
hons having pendants daintily lacquered with flowers. Interior 
fitted with mirror and make-up compartment. (Needs slight 


restoration. ) 
Length, 9 inches. 


_382—PoLycHROMED, ScuLPpTruRED Watnut FicurinE 


Italian, XVII Century 


Figure of a devotee, in an attitude of adoration. She wears a 
red robe, blue flowing mantle and lawn hood. (Fingers missing.) 


Height, 9 inches. 


First. Session 


33—Two Canton EnamMe. Trays Ch’ien-lung Period 
Four-lobed oval. Enriched with Shou marks surrounded by 
trailing vines of lotus in harmonious colors on rich blue grounds. 
(One chipped.) 7 | 
Length, 9%/, inches. 
34—Two Ruskin Faience Bowts 
Delicately potted deep bowl. Invested with a rare turquoise- 
green glaze, interestingly splashed and mottled with very deep 
green. (One restored.) 
Diameter, 97% inches. 
35—JAPANESE Carved Ivory Tusk 
Domestic scenes in low relief. Black and gold lacquer stand. 
Height, 914, inches. 
36—Two SappuHire-BLuE Cur Grass Bowts 
| Bristol, Late XVIII Century 
Oval, with scalloped rim. Sapphire-blue glass, cut to the clear 
with bands of round medallions and diagonally placed flutings. 
Length, 1034, inches. 


37—Sitver Mepariion witH Carvep Ivory Mountine 
On the obverse two seated figures, THE Lovers, pledging their 
troth, in a landscape, and inscription “Semper.” Reverse, a 


tree and classical figure. Signed; ‘*O, Roty, 1895.” 


38—Smatu BattrerseEA ENAMEL SNUFF-BOX 
English, XVIII Century 
Rose-Pompadour scrolled ground, the lid having a reserve of 
white developing a spray of flowers. The underfoot is a re- 
cumbent black and white spaniel in high relief. 


39—AMBER SHELL CARD-HOLDER Spanish, Late XVIII Century 
Oblong; carved and pierced hinged sides with silver mounts ; hold- 
ing an ivory tablet and small silver pencil. 


From the Havemeyer Collection, American Art Association, 
1914. 


40—Two Bristot Cur Grass Vases witH Covers 
Late XVIII Century 


Rich amethyst glass, with domed covers; on square plinths. 
Height, 9%, inches. 


Kindly read the Conditions under which every item ts offered and sold. 


They are printed in the forepart of the Catalogue. 


41—Cur Guass BEAKER Bohemian, XVII Century 


Clear glass, decorated with intaglo engraved panels, one con- 
taining a biblical subject, the other a medallion of cut con- 
cavities. The panels are separated by strawberry flowers and 


leaves. 


42— 


Height, 51% inches. 


From the original Henry Symons Collection, American Art Asso- 
ciation, 1915. 


Two PotycHroMep TeErra-coTta Ficurines 

French, XVIII Century 
(A) A VILLAGE MAIDEN. Standing figure wearing Watteau flow- 
ered dress and cap. 
(3) THE youNG stonEMASON. He stands with an adze bending 


over a slab of stone busily working. 
Heights, 8% and 6% inches. 


43—BronzE FicuRINE L. G. Gregotre, French 


Cupidon standing beside his quiver of arrows, shooting to wound 


some unsuspecting heart. On circular base. 
Height, 111% inches. 


44—FENAMELED Gtuass VASE Nirnberg, 1708 


Beaker-shaped; with domed cover, having ball finial and cir- 
cular foot. Decorated in colored enamels with an elaborate hunt- 
ing subject, a hare, a fox and stags being driven by dogs into 
a net under the direction of huntsmen wearing’ eighteenth’ cen- 
tury costumes. The cover with scrollings. One of the inscrip- 
tions in white reads, “Vivat mein Herr Jager,” and the date 


1708 is twice repeated. 
Height, 10 inches. 


From the original Henry Symons Collection, American Art Asso- 
ciation, 1915. 


45—Wax Portrait Bust Late Georgian Period 


GEORGE Iv. Profile to right; wearing curling hair and a Roman 
toga. In original elm-root frame. 


Total height, 11 inches; width, 10% inches. 


First Session 


46—Srr or Six Decorarep Ficurines Chelsea Style 


This typical group comprises a pastoral orchestra, after Saxe 
models. Four beaux and two belles playing Pan’s pipes, bassoon, 
double bass, harmonica, kettle drum and side drum. Painted in 
turquoise, vieux-rose, lemon-yellow and gilding. On scrolled 


rustic bases. Gold anchor mark. 
Height, 11 inches. 


K indly read the Conditions under which every item ts offered and sold. | 
: They are printed in the forepart of the Catalogue. : 


47—Two VerrE. Ectomist Portraits French, XVIII Century 
(a) Two Court Lovers stand before an ancient building at 
right, showing one another that each has drawn the ace of hearts 
from a fortune-teller who stands under a tree at left. 
(3) Before a cottage toward Pee a young girl is seated, her 
lover standing beside her. 
: “Haighe 8 inches; iongth 10 inches. 


(Companions to the following) 


48—Two VrerRE Ectomist Porrraits French, XVIII Century 


Before a country garden two lovers are seen greeting one an- 
other. Varied coloring and posing’ in each. 


Height, 8 inches; length, 10 inches. 


(Companions to preceding) 


49—Five CHINESE Soapstone Ficurres oN STAND 
Late XVIII Century 
Quaint figures of priests and acolytes, in sea-green, maroon and 
brown soapstone. Carved rustic stand. 


50—APPLE-GREEN Faience VASE Duranti, 1911 


Pear-shaped with incurved mouth. Very beautifully glazed in 


crackled apple-green of fine even texture. 
Height, 11 inches. 


51—Frencuw Faience CENTREPIECE 


Decorated with scrolls, leaves and flower-sprays in claret and 
dull-green, banded in claret and sky-blue. An upper fruit basket 
is supported by two green-scaled dolphins, and both scalloped 
dishes are filled with a variety of fruits and vine leaves in 
naturalistic colors. , 

Height, 12 inches. 


52—Guass Pot-pourRi Venetian, XVIII Cavan 


Ovular. ribbed, green glass body; ribbed hat-shaped cover sur- 
mounted by a lemon in naturalistic color. Knopped stem, cir- 
cular base. 

Height, 12% inches. 


First Session 


53—Pair SinveErR SHOE Buck.LeEs French, XVIII Century 
Incrusted with rhinestones. In original case. 


From the Havemeyer Collection, American Art Association, 
1914. 


54—LaceuErR Torret SET Venetian, Late XVIII Century 
Composed of large box, with scrolled bombé sides and two smaller 
similar boxes, pin-cushion and clothes-brush. Decorated with 
floral sprays, scrollings and Chinoiserie in gold and mellow toned 
lacquers. : 


55—Two FairncE ALBARELLI Italian, XVIII Century 
Grayish glaze, with naturalistic floral decoration and inscrip- 


tions in blue, yellow, pale green and terra-cotta. Brass covers 


with knob finials. 
Height, 10 inches. 


56—ReEpovusst Copper Framep Document Italian, XVIII Century 
Flaring cartouche-shape; enriched with mask at crown and 


scrolled leafage. 
Height, 11 inches. 


57—Two Patntep anp Gitpep Mera Urns 
English, XVIII Century Style 
Vase-shape, with pierced dome cover having pineapple finial. 
Decorated with grisaille medallions, floral festoons and sprays in 
mellow colors on pale green grounds. 


Height, 12%, inches. 


58—Burack Sroneware Ficurre or A Monkey Early Ming Period 
The animal sits on its haunches. Vigorously modeled and bear- 
ing in its front paws a shoe of silver sycee, symbolic of wealth. 
The whole body is of dense coal-black glaze with yellow and 
burnt-sienna used for base, paws and sycee and malachite-green 

for the short tail; the base of turquoise-blue. 
Height, 131, inches. 
From the A. W. Bahr Collection, American Art Association, 

1916. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed m the forepart of the Catalogue. 


59—Two Porcetain CANDELABRA MountTED In Cuivre Dore © 
Louis XV Style 
Porcelain central figures of Chinese court ladies holding vases ; 
on molded plinths mounted on square cuivre doré bases having 
acorn feet, They are surrounded by branches in cutore doré, 
supporting leafed bobéches and adorned with porcelain flowers. 
Height, 131% inches. 


60—Two Earty BoHemian Giass Vases 
Bottle-shaped, amber glass; valanced flaring lip, body ornament 
or tears and pendent rope knots. Flat, oval base. 
Height, 1414 inches. 


61—Two Sitver-PLaTeD CHENETS AND Set oF FIRE-TooLs 
Louis XVI Style 

Chenet with molded oblong top, surmounted by a recumbent 
Sphinx ; supported on leaf-scrolled feet centered by shell motives 
and panels of lattice. 
Four fire-tools, with vase handles in stand having circular tray, 
slender shaft and similar terminal to handles of tools. 

Chenet, height 101% inches; width, 104% inches. 

Fire tools, height, 241, inches. 


62—Two Cuivre Dort CHENETS Louis XVI Style 
Shaped top, valanced with drapery and tassels supported at ends 
with leaf flutings and scrollings; enriched vase-shaped feet ; sup- 
porting large central vase, festooned with oak leaves and small 

flanking gadrooned and flame motives. Back irons for same. 
Heights, 14 inches; widths, 14 inches. 


63—Fairnce Orn Jar Arabic, XVI Century 
Oviform; the surface with lateral corrugations from lip nearly 
to foot, the furrows around the middle of the jar broader than 
elsewhere. Mottled apple-green glaze with slight lustre. 


; Height, 15 inches. 
From the Thomas B. Clarke Collection. 


64—Two Iranian Faience JARDINIERES 


Yellowish glaze, adorned in high relief with large forms of water 
flowers in ochre and green. Ochre rim and base; emerald-green 
interior. 


Diameter, 15 inches. 


First Session 


65—Repovussrt Brass PiaaueE Venetian, XVI Century 
JOSHUA AND CALEB, WITH THE GRAPES OF ESHCOL. In a central 
medallion which is encircled by an inscribed Gothic band, that 
being succeeded by a narrow leaf border. Leaf and fleur-de-lis 


motives enhance the rim. 
Diameter, 16 inches. 


From the Clarence Dearden Collection, American Art Associa- 
tion, 1914. 


66—Bronze Group After Pigalle 
LOVE’s MissivE. A winged cupidon reclines over a fountain at 
which a dove has settled. The cupidon contemplates a missive 
which he holds in his hand. Rich green patina. On oval Siena 
marble base. 


Height, 17 inches; length, 20% inches. 
(Illustrated) 


67—CuInEsE Porcetain Lamp XVIII Century 
Broad pear-shape, with rimmed lip. Invested with a beautiful 
lightly cracked peacock-blue glaze. Fitted for electricity. Silk 


shade for same. (Restored.) 
Height, 161/, inches. 


Kindly read the Conditions under which every item is offered and sold. 
, They are printed in the forepart of the Catalogue. 


68—Two MarsiEe anp Cuivre Dort Lamps Louis XVI Style 
Oviform Campan Vert marble body. Mounted in cutore doré 
with scrolled tripod stand having hoof feet and ram’s-head ter- 
minals holding pendent flower festoons. Fitted for electricity. 


Old-rose silk shades. 
is Height, 17 inches. 


69—Sitver-PLATED Eectric Lamp Louis XVI Style 
Oblong base, adorned with festoons and supporting two fluted 
shafts fitted with electric candles and central square shafts bear- 

ing adjustable green laqué oval shade. 
Height, 20 inches. 


70—Two Guiass PENDENT JARDINIERES 
Semi-oval baskets with elongated loop handles, having molded 
knots at joints. Suspended from black cords and tassels; clear 


glass. 
Height, 1514, inches. 


71—Two Cutvre Dort anp Iron Anpirons 
Italian Renaissance Style 
Beautiful, balustered shaft, terminated in gadrooned mushroom 
finial. Enriched with vertical gadroonings interrupting scrolled 
motive. On scrolled iron legs having frontal coat of arms and 


button feet in cuivre doré. 
Heights, 151%, inches. 


72—Framep CoLtorep Frencu Mezzortinr XVIII Century Style 
MME. ST. AUBIN. Bust length, wearing gray curling hair and 
green and gray drapery; enriched with pearls. Within an oval 
carved and gilded scroll-frame. | 


Height, 1714, inches; width, 1834, inches. 


73—Framep Cotorep Frencn Mezzotinr’ XVIII Century Style 


MME. DE FRANCE. Seated, wearing elaborate brocade robes and 
holding a music score in her hands. <A table with books and 
globe at right. Carved and gilded frame. 


Height, 18 inches; width, 138% inches. 


First Session. 


75 74 15 


74—MAarBLE AND Cuivre Dort Mantet Crock 
French, Directoire Period 
Square body on vert-antique marble plinth with frieze of recur- 
ring laurel wreaths and base in cuivre doré. On the left a winged 
warrior; before him is his bow and an inscribed shield. Sur- 
mounting the body are his cloak and helmet, in which two doves 
are nesting. Disc feet. 


(Illustrated) Height, 17 inches. 


75—Two Cutvre Dort Fauns Clodion, French Louis XVI Style 
Running figures of two youthful, vine-wreathed fauns. One has 
a falcon on his wrist while another bird is perched upon his 
shoulder. The second holds an owl in his raised hand. On rustic 
bases with vert-antique marble plinths. Signed Clodion. 


(Illustrated) Height, 18%, inches. 


76—Two Earty American Brass ANDIRONS 
Multi-molded balustered shaft with large, similarly molded ter- 
minals. Supported on leaf-scrolled arch legs, having ball feet. 


Heights, 171, inches. 


T(—TIwo VENETIAN Guass TREES 
Leafless trees with rustic bases ; executed in green, fluted, spiraled 


glass. 
Height, 19 inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


78—LarcE CaANTIGALLI JARDINIERE AND CarvEeD PEDESTAL 
Bowl-shape; decorated with slender floral sprays in yellow, 
orange, pale and Saxe blues, with leaves in pea-green on green- 
ish ivory grounds. Chanticleer mark. Florally carved stand 


with marble top and lower tray. 
Diameter, 20 inches. 


79—Two ArmoriaL Porcetain Taste Lamps Lowestoft Style 
Inverted pear-shaped body, with pierced spreading mouth. Base, 
rim and handles of rocaille scrollings. Decorated with minutely 
penciled coat of arms, flowers and scrolls in brilliant colors, on 
ivory white grounds. Fitted for electricity. Silk and lace 


shades. 
Height, 20 inches. 


80—PotycHRoMED CarvED AND GiLpED MANTEL CuiocKk 
Viennese, Early XVIII Century 
Molded oblong case, fitted with arched door having gilded in- 
terior fillet and spandrils of pierced cutvre doré, enriched with 
scrollings. Molded base, supported on button feet. Flame finials 
to domed top; laqué old-crimson. 
Height, 20 inches; width, 13%/, inches. 


81—Scutprurep Srarvary Marsie Bust 
French, XVIII Century Style 
MARIE ANTOINETTE. With gracefully draped court robes about 
her shoulders, of fleur-de-péche marble; at her breast a medal- 
lion of Louis XVI. A high coiffure, of curling hair adorned 
with roses, frames her calm and smiling face. Circular base of 
statuary marble. 


Height, 201, inches. 
82—Two VENETIAN CLEAR Guass CovERED Pot-pouRRIS 


Bulbous, ribbed vase-shaped body of clear glass; ribbed dome 
cover having fruit finial enriched in naturalistic colors; narrow 
neck and base bandings and knopped stem of blue glass. 


Height, 21 inches. 


83—Two CuinEsE PorceLtaAIn Taste Lamers 


Scalloped body, trumpet neck with flaring rim and slightly 
spreading base. Decorated with conventional motives in the 


First Session 


famille verte enamels. Circular molded lacquered bases. Fitted 


for electricity. Silk and lace shades. 
Height, 21 inches. 


84—Two Irauian Faience Fiower ReEcEprac es 
Nove, Early XIX Century 
Chanticleer, with very fine plumage. Standing on very deeply 
leaf-scrolled round base with four scrolled feet; glazed in ivory- 
white. Marks: coroneted c.p.v. and NovE under. 


Height, 21 inches. 


From the Havemeyer Collection, American Art Association, 
1914. 


85—Two Earty American Brass ANDIRONS 
Octagonal shafts surmounted by a handsome vase on scrolled legs 


terminating in ball feet. 
Height, 21 inches. 


86—Two PotisHeD STEEL ANDIRONS Renaissance Style 
Spirally twisted square shaft having a front hook terminating in 
a hound’s head. Scrolled open basket at crown. Supported on 
arched legs having pierced scrollings at front. Long spiraled 


cross bar for same. 
Height, 31 inches. 


87—Pair STEEL ANDIRONS Renaissance Style 
Square shaft, enriched with strap scrollings and leafage having 
ball terminal and arched scrolled feet. 
Height, 281, inches. 
88—Setr or Fire-Toors Renaissance Style 
Similar to preceding, with four tools, set in a stand having square 
molded base; spiraled shaft terminating in a hook. 


Height, 35 inches. 


89—Qvuaint Frencu Doww’s Garpen on Mirror Piateau 
Serpentined oblong, green laqué mirrored plateau, with scrolled 
feet. Adorned with miniature garden in multicolored glass; ex- 
hibiting flowerbeds, shrubs, seat, summer house, central fountain 
with ships, swans and lotus flowers. 


Length, 231% inches; width, 1714 inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed m the forepart of the Catalogue. : 


90—Servres Porcetain Lamp Movuntep 1n Cutvre Dort anp SHADE 
Lows XVI Style 

Slender bleu-royale vase; mounted in cutvre doré with medallions, 
nymphs’ heads, festoons, gadroon and leaf moldings. Fitted 


for electricity. Silk shade. 
Height, 24 inches. 


91—Cuivre Dork Mantet CrocK 


Pseudo-classical front with broken pediment and cherub figure 
surmounting a leaf-ornamented frieze and stiles. Decorations 
of mascarons and female figures developing leaf scrollings. 
Oblong plinth supported on acanthus leaf volutes; oblong base. 


Height, 25 inches. 


92—Two PorcrLain Lamps English, XVIII Century Style 
Slender elliptical yellow body, with reserved medallions of flow- 
ers and red bandings. Mounted with cuivre doré base and crown. 


Silk shades for same. 
Height, 2534, inches. 


93—Two CarveD AND SILVERED 'ToRCHERES 
Italian, XVIII Century 
Graceful triple leaf-lobed baluster shafts; with coroneted silver- 
plated bobéche. On finely scrolled incurved tripod base. Fitted 


with electric candle. 
Height, 25 inches. 


94—Two PorceLain Curvre Dort Canpetasra Louis XVI Style 
Vase-shaped body, in bleu-royale porcelain; banded in rhine- 
stones near shoulder; three cuivre doré light arms simulating 
flowering branches, leaf-scrolled loop handles and square plinths. 


Height, 26 inches. 


95—LacauER CANDLE-STAND English, Early XVIII Century 
Sunk molded, scrolled oval top. Decorated with Chinese land- 
scape in gilding on red grounds. Fluted slender pear-shaped 


shaft, with molded base and claw feet. 
Height, 2614, inches. 


First Session 


96—Two Gitpep Bronze CanDLEsTICKs Empire Period 
Expanding, reeded shafts, enriched at crown and base with scroll- 
ings ; supported on circular molded base, adorned with acanthus 


leaves. 
Height, 12%, inches. 


97—ScULPTURED STATUARY MarspiE Group 
After Jean de Boulogne 


Three struggling figures—the Sabine being thrown on his knees, 
his opponent carrying off one of the struggling women. On 


square molded base. (Needs restoration.) 
Height, 27 inches. 


98—Two CHINESE CLOISONNE PrRicKkET CANDLESTICKS 


Cylindrical, knopped-shaft rimmed in gold. Broad flaring bell- 
shaped base, dish bobéche and large grease tray; adorned with 
key pattern in deep blue enamel. Rich blue ground covered with 
abundant minute patternings of conventional scrolls, flowers and 


swastikas in varicolored enamel. 
Height, 28 inches. 


99—Hisroricat Bronze Ficure A. Carrier 


FRANKLIN THE PHILOSOPHER. Seated figure, wearing the costume 
in which he appeared at the court of Louis XVI. Rich deep old 


patina. On circular base. 
Height, 25 inches. 


100—ScacriotA MarsiE PEDESTAL 


Broken column simulating tapestry dove marble. On gilded 
acanthus leaf base and square plinth with incurvate corners. 


Height, 42 inches. 


101—ScacuiotaA Marsieé PEDESTAL 


Similar to preceding. 


102—ScacrtioLtA MarsireE PEDESTAL 


Similar to preceding. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


y 108—Two Larcte Brass Jarpti- 
NIERES 


Italian, XVIII Century 


Classic urn-shape, with 
molded and gadrooned un- 
derbody enriched with shell 
motive having aperture to 
draw off water. Supported 
on octagonal molded base. 
Gadrooned and lobed turn- 
over rim. 


Height, 42 inches. 


104—ScuLPrurED GREEN Mar- 
BLE PEDESTAL 


Expanding scrolled shaft 
with a _ revolving molded 
top. Supported on a gad- 
rooned and deeply molded 


base having octagonal feet. 


Height, 42 inches. 


105 


105—ScuLprurEeD STATUARY MARBLE JARDINIERE 
Italian Renaissance Style 


Rectangular trough-shaped receptacle; supported on two col- 
umns and oblong base. Enriched in relief with echinus, acanthus, 
leaf and gadroon motives. Frieze displaying leaf scrolls develop- 
ing dolphins’ heads. Fluted, beaded and volute-capitaled col- 


umns. 


) = 
——. eee 


Height, 4 feet; width, 1 foot 11 inches. 


From the Clyde Fitch Collection. 


tite Sie 


(Illustrated) 


First Session 


ENGLISH AND FRENCH FURNITURE OF THE XVIII 
AND XIX CENTURIES 


107—Carvep Aanp GitpED Fovurroip Fire-scrEEn 
Louis XVI Style 
Molded oblong frame, with fluted and medallioned plinth; en- 
closing silk panels decorated with conventional ornamentation in 
delicate colors. 
Height, 34 inches; total width, 3 feet 6 inches. 


108—Cuinese Lacquer Murriy-stanp 
; English, XVIII Century Style 
Three graduating circular trays; decorated with chinoiseries in 
varicolored lacquers on black grounds, supported on three 
quadrilateral leaf-decorated uprights joining into a ball handle. 
Height, 3 feet. 
109—Nest or Fotr Intarw Manocany Tapes 
English, XVIII Century Style 
The oblong tops inlaid with jardiniére and flower-spray motives 
in various woods. Thin, ring-turned legs and bridge feet. Curved 
splat stretcher at back. 


110—Smauzt Turrewoop Fivpie-Tror Sine TAasie 
Shaped baluster ends, on bridge feet with plain stretcher. Appli- 
qué half rim. 
Height, 26 inches; length, 31 inches. 


111—Curnese Lacever Boox-sTanp 
English, XVIII Century Style 
Black lacquer ground, bordered with gilded leaf moldings. Three- 


tiered, straight ends decorated in gilt with rustic Chinese scenes. 


Height, 30 inches; width, 19 inches. 


112—Coutvre Dort Tape VirTrinE 
Glazed at all sides, front fitted with single door. ‘Two plate 
glass shelves. 
Height, 30 inches; width, 24 inches, 
113—Carvep anD GILDED Sipe CHair Louis XV Style 
Shaped back and seat carved in the conventional Louis XV 
manner. On cabriole legs having knee carvings and scroll feet. 
Upholstered in gray velvet. 


Kindiy read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


114—-Two Laevukt Cuairs Louis XVI Style 
Oval, reeded and ribbon-crested backs. Cartouche-shaped seats 
with ribboned and paneled front-rail and rosetted dies. On cir- 
cular fluted and tapering legs. Back and seat cannées. 


115—Carvep AnD GILDED ARMCHAIR Lows XVI Style 
Square back, leaf-enriched arms and supports; outcurving front- 
rail with floral enrichment. Fluted tapering legs, caned back 
and seat. Loose embroidered cushion and back valance. 


116—Smaru Carvep Manocany Trivop Taste Chippendale Style 
Circular top with narrow molded rim. Baluster shaft enriched 
with leaf motives. Tripod feet. 


Height, 19 inches; diameter, 114% inches. 


117—Smautu Cuinese Lacquer Tra Tasre 
Oblong top with concave corners, on beveled, straight legs. 
Pierced frieze. Decorated in black and gilding, the top display- 
ing a lily pond, rockeries and trees. 
Height, 24 inches; width, 24 inches. 


118—Carvep Manocany Carp TasLe Adam Style 
Folding oblong top with carved rim. Pearl-beaded frieze with 
raised, dentil-skirted central panel having vase and scroll mo- 
tive. Quadrilateral, tapering legs with husk-pendants at shoul- 


ders and spade feet. 
Height, 25 inches; length, 35 inches. 


119—Manocany Sipe Tasie Dutch, Queen Anne Style 
Rimmed oblong top and frieze shaped with a number of semi- 
circular projections. Three-quarter round corners. On grace- 

ful cabriole legs with ball-and-claw feet. 
Height, 27 inches; width, 301% inches. 


120—Brass Tape VITRINE 
Oblong, the front fitted with one large door; valanced top. Front 
and sides glazed. Interior of back covered in crimson velvet. 


Two plate glass shelves. 
Height, 82 inches; width, 241, inches. 


First Session 


121—Carvep Watnutr Urnoisterep ArmcHair Chippendale Style 


Lyre-shaped back having gadrooned frame. Scrolled arms on 
molded and twisted supports; valanced seat-rail. On cabriole 
legs with scroll-feet. Covered in pale green soierie, woven with 
meander motives in ivory. 


122—Carvep Manocany Wine ARMCHAIR Chippendale Style 


Seat, back and arms upholstered in varicolored flowered chintz. 
Short cabriole legs with leaf-carved knees and ball-and-claw feet. 


123—Two Laaut PrEpEstTALs 
Cylindrical, fluted shaft finished in ivory and gilding. Gilded 


acanthus leaf base. 
Height, 4 feet. 


124—Smatt Waxtnut Oren BooxcaseE Louis XV Style 
Open on both sides. Shaped and molded oblong top and scrolled 


apron. Small scroll feet. 

Height, 29 inches; width, 181 inches. 
125—Smatt Carvep Manocany Tripop Taste Chippendale Style 
Octagonal top with pierced, fretwork gallery. Fluted baluster 


shaft with leaf-enriched legs and feet. 
Height, 231/, inches. 


126—Oax GatE-LEG TABLE Jacobean Style 


Oval tilting top, supported by single gate. Legs and stretchers 
spirally twisted; ball feet. Finished black. 


Height, 27 inches; width, 30 inches. 


127—Laavkt OccasionaL TABLE English, XVIII Century Style 
Narrow oblong top; decorated with landscape within medallion. 

On four grooved hexagonal legs and arched feet. Finished green. 
Height, 28 inches; width, 20 inches. 


128—DecoratTep anp Carvep Satinwoop Siwe Tasie 
Sheraton Style 
Semicircular frieze, enriched with oak leaves and acorns. On 
four tapering, fluted, balustered legs with leaf motives at shoul- 
ders. Top displaying ribboned festoon and pendent medallion 


in mellow colors. 
Height, 33 inches; length, 54 inches. 


K indly read the Conditions under which every item is offered and sold. 
They are printed im the forepart of the Catalogue. 


129—CuinesE Carved Dgati-woop Carp TaBLe 
Revolving square top with hinged fold-over corners; covered on 
the interior with green cloth. Scroll-enriched frieze fitted at each 
side with small drawers and mock drawer. On stretchered cabri- 
ole legs having monster-head knees and claw feet. Loose extra 
circular top lined with green cloth for cards. 


Height, 29 inches; diameter of round top, 471, inches. 


130—Two Gitpep Laqu&é JARDINIERES Lous XVI Style 
Molded oblong receptacle, enriched with gilded interlaced cir- 
cular medallions. On reeded tapering legs, spiraled with gilded 
ribbons and having shaped stretcher. Loose zinc lining. 


Height, 321, inches; width, 32 inches. 


131—Two Carvep anp GitpED Laaut PrpEsTats 
Italian Renaissance Style 
Shaped square top, with Ionic capital and fluted column; the 
lower portion enriched with leaf scrollings. On square plinth 


having concave moldings. 
Height, 4 feet 9 inches. 


132—Carvep anp Gitpep Laqut Tra Tass Régence Style 
Loose oblong lacquered metal tray decorated with Chinoiseries. 
Table with slender cabriole legs having carved knees and leaf 
scroll and stump feet; scrolled apron; gilded enrichment on a 

sage-green ground. 
Height, 27 inches; length, 29 inches. 


133—Carvep anp Laqut Tasre Virrine Louis XVI Style 
Top with slanting sides; front fitted with one door. Enriched 
with ribbon swathed flutings, pearl-and-reed and guilloche mo- 
tives, in green laqué and gilding. On small ball-and-claw feet. 


Height, 28 inches; width, 16 inches. 


134—Carvep Watnutr ARMCHAIR Chippendale Style 


High serpentined back, seat and arm-pads covered in black and 
gold damask, woven with Chinese figures and foliage. Finely 
scrolled arms and cabriole legs, adorned with leafage and rocaille 
motives. 


First Session 


135—Carvep Watnut ARMCHAIR Régence Style 
Oblong, arched back with rocaille cresting; similar adornment 
on arms, valanced apron, knees and feet. Carved X-stretcher 
and caned back and seat, green damask loose seat cushion, back 
valance and arm-pads. 


136—Carvep Watnut Corner Cuair 
French, XVIII Century Style 
Scrolled, ee aciel back and arms, with leaf-scrolled supports ; 
three valanced frontal cabriole legs enriched with husk motives. 
Back and seat cannées. 


187—Five Carvep anp Decorarep Laevit Cuais 
Venetian, XVIII Century 
Open eartotche back with interlacing medallioned splat. Orig- 
inal cannée seat with striped brocade pad. Supported on open 
husk bracketed legs. Decorated with rosettes and vines on old- 
yellow grounds. 


138—Carvep anp GitpeED BrercERE In Crimson VELVET 
French, Lowis XVI Style 
Molded arched fan back, with leaved ball-shaped finials, scrolled 
wings and padded arms terminating in volutes, resting on short 
spirally fluted pillars. Ribbon-molded seat-rail; on fluted taper- 


ing legs. Covered in deep crimson velours. 


From the Clyde Fitch Collection. 


139—Manocany MvrFin-stTanp 
Three circular graduated trays, held by three quadrilateral up- 


rights, joining at top into ball handle. 
Height, 3 feet. 


140—Two Decoratep Laagut CAaNnDLE-sSTANDS Queen Anne Style 
Sunk, scroll-molded round top; on graceful pear-shaped baluster 
and scrolled tripod feet. Enriched in the Chinese manner with 
red and gilded flowers, scrolled and basketed panels on black 


grounds. 
Height, 35 inches. 


Kindly read the Conditions wnder which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


141—Carvep Manocany DumMBWaAITER 
English, XVIII Century Style 
Three sunk-molded and graduated tiers. Supported on fluted 


round shaft with scrolled tripod legs. 
Height, 38%, inches. 


142—Two Smartut LaceurER CoMMODES 
Venetian, XVIII Century Style 
Serpentined top, front and sides; on short cabriole legs having 
leaf-scrolled feet. Fitted with three drawers having rocaille 
scroll handles. Decorated with raised flowers, scrolls and figures 
in gilding; on red and green grounds. 


Height, 321, inches; width, 19 inches. 


143—Inuaip EL_mroot anp TuLrpwoop Secretary Burrav Mountep 
IN Cuivre Dort Louis Philippe Period 

Recessed oblong upper section, with galleried top; fitted with two 
doors, adorned with large oval Sévres porcelain floral plaques 

and appliqués in cutvre doré. Lower section with writing drawer, 

the frieze displaying entwined medallion motives in cwtvre doré 
enclosing small Sévres plaques. Two galleried stretcher shelves 
supported on grooved quadrangular uprights and vase-shaped 


feet. | 
Height, 55 inches; width, 35 inches. 


144—Watneut Extension Dryinc Tape Henri II Style 
Oblong molded top, supported on four baluster legs connected 
by molded curved H-stretcher having central arcade. Four 
extra leaves. 


Length, 70 inches; width, 48 inches; width of leaves, 21 inches each. 


145—Urricur Laqut SEcRETAIRE Louis XVI Style 
Rectangular, with fluted and chamfered corners. Fitted with 
frieze drawer and central fall-front, revealing fitted interior. 
Lower section with two small enclosing doors. The whole deco- 
rated with urns of flowers, cherubs, censers and architectural 
motives in grisaille and pastel colors on blue grounds. Festooned 
appliqués at shoulders of cutvre doré. Brown marble top. 


Height, 57 inches; width, 38 inches. 


First Session 


146—Fovrrotp Damask Screen Italian, Louts XIV Style 


1a 


Oblong folds ; covered with damask, displaying a bold pattern of 
scrolls, jardiniéres, leaves and fruits in the Louis XIV manner; 
woven in old-rose and vieil-or. Reverse covered with salmon-pink 


silk. 
Height, 6 feet 6 inches; width, 7 feet 4 inches, 


Carvep Laqut Tripte STanpinc Dresstnc Mirror 

esas: Louis XV Style 
Rectangular molded mirrors, with scrolled and crested pedi- 
ments surrounded by rocaille panier-medallions enclosed in fes- 
toons of vari-colored flowers. Enriched rocaille panels at foot 


headed by further scrollings. -Finished in leaf-green and ivory. 
Height, 6 feet 3 inches; width, 6 feet 3 inches. 


: : ' 
= 3 A be Fe 


AONAGISAY SANW] “Uf, NI AUVUMI'T AHL JO MAIA . 


SECOND SESSION 


FRIDAY AFTERNOON, NOVEMBER 21, 1924 
AT THE AMERICAN ART GALLERIES 


y BEGINNING AT 2:15 O’CLOCK 


Catalogue Numbers 148 to 300 inclusive 


TEXTILES AND EMBROIDERIES OF THE XVI, XVII 
AND XVIII CENTURIES 


148—Two Sevare Warer Horpers Italian, XVII Century 


(a) Apple-green velvet; trimmed with brown galloon cross and 
edge. Back of deep ivory damask. 

(s) Venetian brocade with blue ground and floral sprays in color 
on both sides. ‘Trimmed with gold galloon and tassels. 


149—Ser or Six Ceremonian assets Italian, XVI Century 
Red silk, bound with gold, having silk cords. 


150—Two Beravutirut Goup ann Sitver TaAssEs 
Spanish, XVII Century 


Triple tops, skilfully latticed; heavy thread silver-gilded skirts. 


151—Two Purrir Sirk anp Gop TassEts 
French, Louis XV Period 


Handsome ruffed tops and gold lattice knitted body; plain skirt 
of silk and gold threads. 


152—Two Sinver anv Siux TAssEts Italian, XVII Century 


Peaked tops, with triple flounce of tasseled fringe in deep cream 
and silver threads. 


153—Two Emspromwerrep Coats or Arms Spanish, XVII Century 


Elaborated in yellow silk appliqué on crimson-red velvet. 


From the Vitall Benguiat Collection, American Art Association 
1914. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


(154—-Two EmpromErEeD EscuTcHEONS Italian, XVII Century 
Scrolled cartouche, enclosing coat of arms, embroidered in col- 
ored silks on couched blue grounds, surmounted by a Cardinal’s 
hat. Appliqué on red silk damask; edged with gold galloon. 

Length, 1 foot 1 inch; width, 10 inches. 


155—Drar p’Or Hoop Spanish, Renaissance Period 

Hood occupied by a distinguished floral bouquet within an ogival 

scrolling in yellow on a darker drap d’or ground. Trimmed with 

crimson and gold fringe and at the top with four interlacing 
frogs of similarly colored braid. 

Height, 21 inches; width, 18 inches. 

From the Vitall Benguiat Collection, American Art Association, 

L919: 


156—Rare Cut Vetiver Mar Italian, Early XVI Century 
Beautiful green field, woven in deeper and lighter tones with dia- 
mond motives, scrolled with Gothic leaves. Trimmed with fringe 
and buttons. 


157—Rare REFERENCE NEEDLEWORK SAMPLER 

Spanish, XVIII Century 
Small oblong central panel, occupied by a double-displayed eagle, 
flanked by two elephants, floriated crosses and birds; the many 
floral diapered borders on each side all worked with differing 
patterns so subtly combined that close inspection alone dis- 

closes the great variety of details. | 
Height, 24 inches; length, 31 inches. 
From the Vitall Benguiat Collection, American Art Association, 

LOT9: 


158—Scurari Rue XVI Century 
Straw-yellow field, woven with medallions, one within another, in 
mulberry-red and light emerald and occupied at centre by tulip, 
cornflower and other floral motives. Floral borders in similar 

colors. 
Length, 4 feet; width, 2 feet. 
From the Thomas B. Clarke Collection, American Art Associa- 

tion, 1916. 


Second Session 


159—ScutTari Rue AVI Century 
Light tan field, with formal corners and central pointed leaf- 
shaped medallion embracing a wreathed motive. Executed in 
apricot and brilliant green. End borders in similar colors; the 

side borders in apricot and cerulean-blue on tan ground. 
Length, 3 feet 10 inches; width, 2 feet 2 inches. 
From the Thomas B. Clarke Collection, American Art Associa- 

tion, 1916. _ 


-160—Avrvusson Tapestry CusHIon AXVIT Century 
Displaying growing flowers and foliage; woven in pastel shades 
and tawny-brown. Straw-yellow floral damask back. Trimmed 
with fringe. Oblong. | 


161—Avsusson Tarrestry CusHion AVIT Century 
Displaying a cottage amidst foliage; woven in rich browns, yel- 
lows and green. Straw-yellow floral damask back. Trimmed 
with fringe. Oblong. 


162—Fuiemiso Verpure Tapestry CusHIon AVIT Century 


Interesting foliage, woven in yellows and fine greens. Straw- 


yellow floral damask back. Trimmed with fringe. Oblong. 


163—Two Fremisu Verpure Tapestry CusHIons 
Late XVI Century 
Blue-black field, finely woven with varied leafage in greens, yel- 
lows and blues. Yellow floral damask back. Trimmed with parti- 
colored fringe. Oblong. 


164—Go.p-EMBROIDERED VetveT CusHion Italian, XVII Century 
Oblong; rich lustrous ruby-crimson velvet embossed with small 
sprigs ; adorned with raised gold embroidery developing husk mo- 
tives from central floral lozenge. Trimmed with gold galloon 
and tassels. 
165—Two Rosr-crimson Vetvet Cusnion Covers 
Genoese, XVII Century 


Jaspé velvet of a shimmering, rosy hue, developing deeper tones. 


Trimmed with patterned gold galloon. 
24 by 19 inches. 


From the Vitall Benguiat Collection, American Art Association, 
1919. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


-166—Crimson GENoEsE Cut VELvET CusHIoNn AVIT Century 
Oblong, with rounded ends ; woven in tones of beautiful rose-crim- 
son velvet with large scrolled bouquet on lighter silk grounds. 
Trimmed with yellow and ivory scrolled edging. (Has been re- 


stored.) a | 7 
3 feet by 1 foot 10 imches. 


167—SILVER-EMBROIDERED VELVET CusHion Italian, XVII Century 
Oblong; lustrous rose-crimson velvet; adorned in open silver 
thread embroidery with central floral heart-shaped motive sur- 
rounded by an oblong panel of fine scrollings. Trimmed with 
gold lace and crimson fringe. 


168—EmproiverEeD “MILLE-FLEURS” CUSHION 

Persian, XVII Century 
Occupied by floral stripes diagonally placed and daintily worked 
with solid stitches in soft reds, blues, greens, lavenders and yel- 
lows on alternate grounds of ivory and fawn color, these defined 
by narrow herringbone guards of green and black. Floral bor- 

der on one end with small returns. 
29 by 28 inches. 
From the Vitall Benguiat Collection, American Art Association, 

1919. 


169—EmproireEreD Linen Borpver Rhodian, XVIII Century 


Ivory linen, with a background embroidered in crimson silk mesh 
forming a pattern of birds facing fountains interrupted by leaf 


motives. 
Length, 28 inches; depth, 6 inches. 


170—Two SILk-EMBROIDERED Linen Borvers 
Mitylentan, XVI Century 
Ivory linen field, enriched with recurring scrolled pedestals hold- 
ing jardiniéres of flowers, alternating with quaint floral motives 
and enclosed by borders displaying series of half “St. Catherine’s 
wheels ;”” worked in brilliant blue, crimson, green and old-gold 
silk. 
Length, 30 inches; depth, 12 inches. 
From the Vitall Benguiat Collection, American Art Association, 
1919. 


Second Session 


171—Fovur Bravtirut JarpInIERE VELVET Borpers 
Louis XVI Period 
Golden-yellow silk grounds, enriched in cut velvet with oval rose- 
crimson leaf medallions, occupied by pastel-colored bouquets and 
interrupting husk devices. Husk motived bands on one edge. 
Length, two, 14 feet 11 inches; two, 13 feet 4 inches; width, 934, inches. 


From the Vitall Benguiat Collection, American Art Association, 
Ee 


172—SILVER-EMBROIDERED RosrE pu Barry ScarF Persian 


Netted rose du Barry field; enriched in silver with series of con- 
ventionalized floral and geometric bandings and panels. 


6 feet 11 inches by 2 feet 4%, inches. 


173—EMBROIDERED SiLK Crepe SHawi Manilan, XVIII Century 
Fine Havana-brown field; embroidered in rich toned silks with 
bouquet of flowers and wheat and three borders scrolled with 
similar motives; tan lattice fringe. 
7 feet by 6 feet 6 inches. 
174—Emproiwrrep Murperry Créipe Sink SHAWL 
i Manilan, XVIIT Century 
Fine mulberry-crimson field; embroidered in darker tones with 
flowers at centre, large bouquets at corners and broad floral bor- 
der. Trimmed with lattice fringe. 


6 feet 6 inches square. 


175—YeEetitow BrocapE Cover French, XVII Century 
Golden-yellow ground, woven with pink and plum-colored trail- 

ings of fine flowers. 
20 inches by 18 inches. 


176—VeELveT Cover Genoese, XVI Century 
Rich red velvet, edged with gold galloon. 
2 feet 10 inches by 2 feet. 


From the Vitall Benguiat Collection, American Art Association, 
1917. 


177—GoLpD-EMBROIDERED Rosr Sink CHALIcE CovER 
Italian, Late XVI Century 


Rich crimson field; embroidered in gold threads and dainty silks 
with rayed central medallion and scrollings of flowers inside nar- 


row scrolled husk borders. (Needs restoration.) 
25 by 23 inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


178—JaRrDINIERE VELVET CovER Louis XVI Period 
Deep ivory silk field, woven in pastel-colored silk velvet with 
central formal bouquet of flowers, surrounded by a wreath of 
roses. Borders of leaf-scrolled blossom. (Needs slight restora- 


tion.) 
— 28 by 1614 inches. 


179—Drar vd’Or anv Brack BrocapEe Cover en B 
j Caucasian, Louts XVI Period 
Lustrous black field; woven with a variety of stitches in gold 
threads and passages of green silk, displaying a large floral bou- 
quet holding fruit and acorn motives placed within a lyre-shaped 
scrolling of graceful acanthus leaves and cornucopias of flow- 
ers. A specimen panel finished with selvage on four sides. 


82 by 22 inches. 


From the Vitall Bengutat Collection, American Art Association, 
1919. 


180—EmpromErED Ivory Satin Cover Italian Renatssance 
Rich ivory satin, embellished with floral scrollings in colors. Fin- 
ished with silver lace and fine fringe. | 
42 inches square. 
From the Vitall Benguiat Collection, American Art Association, 
1914. 


181—Drap pv’Arcent Brocape Taste Cover , 
Venetian, Renaissance Period 
Woven with an intricate pattern of recurring arched diamond, 
leaf and lace-like medallions, occupied by pineapple motives, 
' from which spring interlacing, fan-shaped, floral diapered bands, 
which continue and form the principal motive of the alternating 
medallions, which present large blossoms and sprays of flowers; 
finely woven with silver threads and deep rich ivory on a ground 
of almost salmon-pink, shading to a deep tan. Trimmed with 
silver lace and lined with ivory silk. 
5 feet 3 inches by 3 feet 7 inches. 


From the Vitall Benguiat Collection, American Art Association, 
1919: 


Second Session 


182—ImporTANT CuHintz PatcHwork CovERLET 
American, Eighteenth Century 


Field and major border of particolored diamond motives of dif- 
fering floral Indian patterned chintz, bearing a lobed stellate 
round medallion set on a yellow floral square, having lavender 
floral quarter-round corners. Inner yellow border with inset 
floral corners. Striped lavender outer border with small reserved 
leaf medallions. 


6 feet by 4 feet. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the (See 


183—Earty AMERICAN SILK Parcuwork QUILT 
The field of black squares interrupted by striped squares of gray 
and ivory, green blue, pink and lavender. Scalloped edge of 
crimson, brown and ivory diamond motives. (Needs slight res- 
toration. ) | “inet 
Length, 6 feet 8 inches; width, 4 feet 3 inches. 


184—GoLp- AND SILVER-EMBROIDERED STOLE 
French, XVII Century 
Lustrous crimson satin; enriched with sprays of wheat, amt 
scrollings and cruciform motives. 


185—Go1LD-EMBROIDERED VELVET Coat Moorish, XVII Century 
Rich crimson velvet, elaborately trimmed with gold braidings and 
edgings. 


186—JarpInrieERE VELVET STOLE AND MAnIPLE | 
Genoese, Louis XIII Period 
Ivory silk field, woven with sprays of carnations and roses in 
deep pinks and emerald-green cut and uncut velvet. ‘The lappets 
trimmed with gold galloon. 
From the Vitall Benguiat Collection, American Art Pe errs 
1919. 


187—PETIT-PoINT STOLE Italian, Renaissance Period 
Displaying a band of varied recurring floral arabesques in soft 
colors on sapphire-blue grounds, flanked at the lappets with 
floral scrolls in small point on white silk grounds. 


From the Vitall Bengutat Collection, American Art Association, 


1919. 
188—Dainty Drar pd’ARGENT JARDINIERE VELVET ECCLESIASTICAL 
SET French, Louis XV 


Consisting of chasuble, maniple, stole and wafer-holder. All 
woven with very dainty bands of velvet, displaying children play- 
ing musical instruments, and seated under featherlike motives, 
which support swings, on which the children are disporting them- 
selves. Executed in very soft pastel colors, on drap d’argent 
grounds. The chasuble bearing a cross and borders of con- 
temporary chevroned gold galloon. (Needs restoration.) 


From the James A. Garland Collection, American Art Associa- 
tion, 1914. 


Second Session 


189—Eicutr Crimson anp Drap 
D’Or BrocapE CoLUMN 

PANELS Portuguese, 

Louis XIV Period 


Woven with _ recurring 
graceful floral bouquets, 
within scrolled and paneled 
cartouches, which support 
vines bearing bunches of 
grapes, in varied stitches, of 
drap d’or on figured crim- 
son damask grounds. 
Height, 6 feet; width, 1 
foot 8 inches. 
From the Vitall Benguat 
Collection, American 
Art Association, 1919. 


(Illustrated) 


189 


190—Two Rusy Vetvetr Panets Italian, XVI Century 

Deep ruby velvet with embossed lighter toned grounds, develop- 

ing scrolled medallions of bouquets surmounted by larger and 
more elaborate blossoms. 

Lengths, 6 feet 4 inches; widths, 1 foot 6 inches. 


191—EmproivEerep Vetver Panet Florentmme, XVI Century Style 
Downlike, mouse-colored velvet; enriched in green and crimson 
appliqué velvet with intricate corded strap arabesque scrollings 

sustaining vases and leaves. (Needs slight restoration.) 
Height, 6 feet 2 inches; width, 4 feet 3 inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed wm the forepart of the Catalogue. 


192—Oxp Frencu Beapep PeEtit-Ppoint Cover 
Scrolled medallion of blue-white beads at centre, displaying coat 
of arms blazoned with a bull proper, mantled with scrolled 
leaves. Surrounded by irregular scrolled petit-point medallions 
in rich colors alternately displaying small land- and seascapes 
and gaily plumaged birds in raised velvet stitches. Black borders. 
42 by 27 inches. 


193—Two BravutTiruL JARDINIERE VELVET COVERS 


French, XVIII Century 


Golden-yellow field, woven in purple and rich green with lobed 
oval medallion, displaying bunches of grapes and pineapple 
leaves. Borders of meandering ribbon, bearing sprays of flow- 
ers. 
49 by 23 inches. 
From the Eymonaud Collection, American Art Association, 
1920. 


194—Goup BrocapE Cover Louis XVI Period 


Shot straw-yellow, diapered drap d’or field; woven with dainty 
blossoms in crimson, green and ivory. Three sides trimmed with 


silver lace. 
54 by 2114 inches. 


195—Crimson VELVET AND Damask Cover Italian, XVII Century 

Two-toned field-green damask; woven with bouquets of flowers 

amid leaf scrollings. Finished at ends with panels of very lus- 

trous crimson velvet; trimmed with silver lace and gold fringe. 

Lined with floral crimson silk damask. (Needs slight restora- 
tion.) 

| 64 by 191, inches. 

(Companion to following) 


196—Crimson VELVET AnD Damask Cover Italian, XVII Century 


Similar to preceding. 


197—Fiver Lace anp EmsproipErep Linen Cover 
Rhodian, XVI Century 
Central panel of Italian filet lace; surrounded by drawn linen, 
rarely embroidered in red silk with birds, floral vases and animals. 


5 feet by 4 feet 10 inches. 


Second Session 


198—Drap p’Or JarpintrRE VELVET Cover Louis XV Period 
Cloth-of-gold field, woven in very rich harmonious colors with 
floral motives and scrollings. 
3 feet 6 inches by 3 feet. 
From the Vitall Benguiat Collection, American Art Association, 
1914. 


199—RareE Drarp d’Or Cur Vetiver anp EmprormeErep Taste Cover 
Genoese, Renaissance Period 
A magnificent blossom is supported by a lyre-shaped acanthus 
scrolling which bears a floral pendant and many fine flowers; on 
radiant, warm yellow drap d’or ground; finished with a straw- 
yellow drap d’or border embroidered in solid silver with detached, 
scrolled cartouches and corners. Trimmed with silver galloon 

and lace and lined with corn-yellow floral damask. 


1 yard 15 inches by 32 inches. 


From the Vitall Benguiat Collection, American Art Assoctation, 
1919. 


200—SapPHirE-BLUE Brocape Taste CENTRE 

Venetian, Renaissance Period 
Woven with recurring quaint, trailing floral vines in gold and 
silver threads on a damask ground which displays large pome- 
granates and blossoms as a background for the silver and gold 
flowers of the major pattern. Trimmed with open gold lace and 

lined with old light red watered silk. 
5 feet by 20 inches. 
From the Vitall Benguiat Collection, American Art Association, 

1919. 


201—Two EmproipereD DovusLe LAMBREQUINS 
Spanish, XVI Century 
Grounds of crimson Genoese cut velvet. Enriched with appliqué 
embroidery of cloth of gold in an allover pattern of pointed 
leaves. Scalloped and edged with gold galloon; fringe at foot. 


From the Vitall Benguiat Collection, American Art Association, 
1917. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed m the forepart of the Catalogue. 


202—Srraw-YELLow BrocapE Cover French, Mid XVIII Century 
Straw-yellow field, damasked in ivory and woven with trailing 
rustic sprays of blue, old red, pink and pale lavender flowers. 


(Needs slight restoration. ) 
6 feet 6 inches by 6 feet. 


203—VeLveET LAMBREQUIN Italian, XVI Century 
Genoese crimson velvet; scalloped at foot. Bordered and edged 
with gold galloon and finished with gold fringe. 
Length, 11 feet 6 inches; width, 2 feet 3 inches. 
From the Vitall Benguiat Collection, American Art Association, 
1917. 


204—GoLD-EMBROIDERED VELVET LamBreauin Spanish Renaissance 
Rich crimson-red velvet; enriched with coat of arms blazoned 
with double-headed eagle and cognizances in gold threads. 
Trimmed with fine gold fringe. 
Length, 7 feet; depth, 1 foot 10 inches. 
From the Vitall Benguiat Collection, American Art Association, 
1914. 


205—Two GeEnorse Cur Crimson VetvetT Vatances XVI Century 
Composed of four Vandyck points, trimmed with rose-crimson 
galloon and deep fringe. Rose-crimson velvet of great radiance, 
developing in two central points arched canopied bouquets, sup- 
ported on infloretted acanthus leaves. The two ends points with 

vaselike acanthus leaves supporting large pomegranates. 
Length, 7 feet 7 inches; depth, 2 feet 7 inches. 


From the James A. Garland Collection, American Art Associa- 
tion, 1924. 


206—Crimson VeLveT CHASUBLE Genoese, XVII Century 


Beautiful heavy pile velvet with rich areas of flame color; lav- 
ishly trimmed with patterned gold galloon and lace edging. 


207—SILVER-EMBROIDERED YELLOW Sik CuHasuste Régence Period 
Deep canary colored silk; embroidered with scrolled panels and 
orphreys in raised silver threads, emitting scrolls of beautiful 
flowers in pastel colors. 


Second Session 


208—Si1Ltx BrocapE Corr Spanish, XVII Century 


Purple silk fleld with floral motives, brocaded in gold and embel- 
lished with a fan-shaped panel of brocatelle having a diapered 
pattern in red on golden grounds. Silk loops and buttons; edged 
with gold galloon. 
Length, 8 feet 8 inches; width, 4 feet 8 inches. 
From the Vitall Benguiat Collection, American Art Association, 
Peli 


209—Sitk BrocapEe Copr Italian, XVII Century 


Dark brown damassé. field; woven in ivory with scrolls, flowers 

and fruit. Hood matches and is edged with silver fringe. Cope 

edged with gold galloon. 

Length, 9 feet; width, 3 feet 9 inches. 

From the Vitall Benguiat Collection, American Art Association, 
1917, 


210—ImrrriaL Gotp anp BuivEe BrocapE Cover 

Chinese, K’ang-hst Period 
Displaying in the centre a weird five-clawed golden dragon seek- 
ing the sacred pearl of power among cloud-forms, within a cir- 
cular medallion. The corners are embellished with similar 
dragons woven amid the pattern of the ground, which exhibits 
rosetted and scrolled ogival motives recurring and connected 
with bars and blossoms; the Imperial yellow ground enhanced 
with rich blues, salmon-pink, pale tan and ivory judiciously ac- 

centuated with threads of gold. Lined with old blue silk. 
: 4 feet 6 inches by 4 feet 6 inches. 


From the Vitall Benguiat Collection, American Art Association, 
1919. 


211—Uniavure Crimson Sizrx Damask CovERLET 

Italian Renaissance 
Composed of four beautifully matched breadths. Each presents 
one repeat of the pattern; woven with bold scrolls and floral 
motives in which large baskets of flowers, cornucopias and fan- 
shaped devices succeed one another. Trimmed with fine silk 
tassel fringe. 

34% yards by 3 yards. 
From the Vitall Benguiat Collection, American Art Association, 

1919. 


Kindly read the Conditions wnder which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


212—Larcr Apricot BrocapeE CovERLET 

Spanish, Louis XIV Period 
Composed of three breadths, exhibiting curious, recurring stunted 
trees growing on small parcels of ground from which cherries 
depend; in each of the trees two large pineapple motives appear 
among the palmlike clusters of foliage; woven in lavender, blue, 
pink, yellow, green and ivory on a delightful, lustrous apricot 

silk ground. Lined with straw-yellow silk. 
7 feet by 5 feet 4 inches. 
From the Vitall Benguiat Collection, American Art Association, 

1919. 


LarcEe Crimson Srtk Damask CovEerRLET 
Spanish, Renatssance Period 


213 


Composed of four beautifully matched breadths. Woven with 
recurring leaf-canopied bouquets, supported by two large acan- 
thus leaves of vase-like form alternating with fruit. Trimmed 
with narrow silk fringe. 
Length, 10 feet; width, 8 feet 6 inches. 
From. the Vitall Benguiat Collection, American Art Association, 
1919. 


214—Royat Drar pd’Or BrocapE Hanerne Louis XIV Period 


Floral damassé crimson field, woven in gold with beautiful strap 
cartouches, entwined with flowers and occupied by highly con- 


ventionalized floral bouquets. 
Length, 7 feet; width, 4 feet 8 inches. 


215—EmpsroipERED Crimson Damask PorRTIERE 
Italian, XVII Century 


Fine two-tone rose-crimson damask, woven with bouquet of flow- 
ers supported and canopied by infloretted acanthus leaves, en- 
riched at centre with small coroneted and scrolled coat of arms. 
Trimmed with open guimpe. (Needs slight repairs.) 

Length, 7 feet 8 inches; width, 5 feet. 


216—Crimson Damask Porrtikre Italian, Louts XIII Period 
Lustrous crimson, woven with floral and lacelike motives. 


Length, 8 feet 6 inches; width, 8 feet. 


Second Session 


217—Printep Linen PorrTIERE 
Indo-Portuguese, Goan, XVI Century 
Occupied in the centre by a small floral diamond medallion en- 
hanced with arabesques and blossoms in which feng-huangs ap- 
pear; at the corners scrolled birds; these develop strapwork and 
mythical lions. Hand-printed in soft colors on an ivory linen 


ground. Lined with champagne-colored silk. 
Length, 8 feet 10 inches; width, 5 feet. 


From the Vitall Benguat Collection, American Art Association, 
1919. 


218—Printep Linen PortTIERE 

Indo-Portuguese, Goan, XVI Century 
The entire field displays growing plants in blossom, among which 
wander and are perched, antelopes, panthers, birds of varied 
plumage, and monkeys on an infloretted ivory field. Hand- 
printed in brilliant Tyrian red, blue, green, yellow and lavender 

on ivory linen. 
Length, 8 feet 10 inches; width, 5 feet. 
From the Vitall Benguiat Collection, American Art Association, 

1919. 


219—Si1rx Damask Hancine Italian, XVI Century 
Canary-yellow colored silk damask; woven with large floral pat- 


ternings. Consists of four widths. 


Length, 9 feet 5 inches; width, 7 feet 4 inches. 


220—SILVER-GREEN SitK Damask PorTIERE 
— Italian, Louis XIV Period 
Composed of three well-matched breadths, with corners at foot 
rounded. Woven with two alternating and recurring elliptical 
floral motives occupied by bouquets, one motive composed of two 
acanthus leaves, the other of leaves in which many inflorescences 
and sprays of roses appear. 


Length, 9 feet 4 inches; width, 4 feet 6 inches. 


From the Vitall Benguiat Collection, American Art Association, 
1919. 


Kindly read the Conditions under which every item is offered and sold. 


They are printed in the forepart of the Catalogue. 


221—Drar pd’Or EmpromwrErRED Damask PorTIERE 


Spantsh, XVII Century 
Red silk damask ground, enriched in appliqué cloth of gold with 
scrolls, large flowers and a rosetted border. Edged with gold 
fringe. 
Length, 9 feet 8 inches; width, 3 feet 6 inches. 
From the Vitall Benguiat Collection, American Art Association, 
vis re 


Crimson Sirk Damask PortTirRE 
Italian, Renaissance Period 
Composed of four matched breadths. Woven with recurring 
ovoid bandings and leaf-scrolled medallions, surmounted by elab- 
orate crowns and alternately filled with bouquets and vases of 
flowers. 
Length, 12 feet 11 inches; width, 6 feet 8 inches. 
From the Vitall Benguat Collection, American Art Association, 
1919. : 


223—GoLDEN-YELLOW Damask PorTIERE 


Spanish, Louis XIV Period 
Heavy two-toned lustrous golden-yellow silk, woven with fruited 
leaf ogivals occupied and surmounted by varied bouquets of 


flowers. 
Length, 10 feet; width, 8 feet. 


224—TweELvE Damask GonpoLta CuRTAINS AND CovERS 


Italian, Louis XIV Period 

Woven with a noble recurring pattern of alternating series of 

broad, scrolled and infloretted leaves and bouquets within varied 

elongated strap arabesques; the figures of fluctuating straw- 

yellow on a lovely, changeable pale blue, varying in the light 

from a delicate turquoise to an almost pea-green. Curtains 
trimmed with yellow silk fringe. 

Lengths, four, each 4414, 65, 6714 inches; widths, 38, 58, 5714 inches. 

Note: These beautiful curtains and covers are probably unique in color 

and pattern. 


From the Vitall Bengutat Collection, American Art Association, 
1919. 


Second Session 


225—Four Crimson Drar v’Or Brocapre CurtTains 
Louis XIII Period 


Each composed of two evenly matched breadths; woven with 
alternating series of ovoidal medallions holding bouquets of 
flowers within floral and grapevine scrolls; in threads of gold 
on a crimson damasked silk ground. Trimmed with deep lat- 
ticed gold thread fringe. 

Length, 10 feet; width, 3 feet 6 inches. 
From the Vitall Benguiat Collection, American Art Association, 

1919; 


Sey boe FORCELAINS FROM THE MING TO THE 
CH'IEN-LUNG PERIOD 


226— CHINESE JADE Carvine Ch’ien-lung Period 
Two standing phoenixes holding peach branches in their beaks. 
Rustic rockery base. Highly polished mutton-fat jade show- 
ing slight russet areas. On teakwood stand, elaborately carved 
in conventional undercut relief. 


227—CuinesE Lowestorr TErapor Ch’ien-lung Period 
Square, with looped bamboo handle. Decorated with raised and 
gilded borderings of bamboo pattern; the body with raised oval 
medallions painted with Chinese figure subjects on diapered 

grounds. (Spout restored.) 
Height, 61/, inches. 


228—CHINESE PorcELAIN JAR Yung-Cheng Period 
Graceful oviform with short neck. Coated with a soft cream- 
white glaze, under which sprays of asters, tendrils and leafy 
scrolls are delicately etched. Has carved stand. 


Height, 734, inches; diameter, 7 inches. 

Exhibited at a Loan Exhibition of Rare Chinese Porcelain held 

at the Galleries of Messrs. Duwveen Brothers, New York 
City, 1907. 


From the William Churchill Oastler Collection, American Art 
Association, 1915. 


Kindly read the Conditions under which every item ts offered and sold. 
They are printed in the forepart of the Catalogue. 


229 


229—Two CuinesE Lowestorr BoucH-pots XVIII Century 


Shaped as Louis XV commodes with pierced tops. Decorated 
with scrollings at the angles in gold, outlined in black, and red 
enamels. The false drawer fronts have raised gilded handles 
and lock escutcheons painted in blue outlined in gold. ‘There 
are escutcheon-shaped gilt bordered panels at the side occupied 
with landscape paintings in sanguine. The pierced tops are 
decorated with rosettes in red enamel and raised and painted 
roses and leaves. 

Height, 5 inches; length, 81% inches. 


Note: These very unusual and interesting bough-pots were evidently made 
to special order in China for the French market. 


From the original Henry Symons Collection, American Art Asso- 
ciation, 1915. 
(Illustrated) 


230—Sanc-pE-BeUF PorcEeLaIn Bown Ch’ien-lung Period 
Flaring bowl, with short foot; delicately potted and glazed on 
exterior with deep full toned sang-de-beuf glaze; the interior 

In gray-ivory. 
Diameter, 734 inches. 


231—CuInESE BuvuE ann Wuitr Porcenain TEempLe VAsE 
K’ang-hst Period 
Tubular, with flaring mouth. Decorated in rich blue with Tao- 


tieth ogre heads and j’ui bandings. 
Height, 8%, inches. 


Second Session 


232—CuINESE BLuE anp WHuitTE PorcEeLaIn CovEerED JAR 
Ch’ten-lung Period 
Elliptical reeded body with short foot and collar and mandarin 
cover; decorated in deep blue with medallions of symbols and 


cloud scrolls. — 
Height, 834 inches. 


233—CHINESE PorcELAIN TaBLE ScREEN Ch’ien-lung Period 
Oblong panel, invested with an ivory glaze; enameled in deli- 
cate colors with sprays of magnolia and pink prunus; on a 


scrolled wood base, having cabriole legs. 
Height, 101%, inches. 


234—CuineEse JApE Turnip 1n Ivory Bown Ch’ien-lung Period 
Leaves of translucent fei-ts’ui jade, amber blossoms and root of 
dense opaque reddish-brown agate. Inverted bell-shaped ivory 
bowl, carved in relief with fruit, flowers, birds and insects. 


Height, 1234 inches. 


From the Yamanaka Collection, American Art Association, 1917. 


235—CuInEsE Bivur anp WuitE PorcreLain CovrerepD Jar 
K’ang-hsi Period 
Oval form with loose cap cover. Decorated with four scrolled 
ogival medallions occupied by symbols and figures; the medal- 
lions interrupted by sprays of lotus and peonies. Cap cover with 
further symbols and j’ui valance. (Cover restored.) 


Height, 1234 inches. 


236—FuxKEn PorceLAIn Figure or BuppHAa Ming Period 


Seated figure, with crossed legs, the soles of his feet turned up- 
wards and the hands in centre with palms and fingers held up. 
Head with characteristic nodular hair and long-lobed ears and 
the sacred boss on forehead. Robes are skilfully draped, expos- 
ing the broad chest of the deity. Invested with brilliant and 
even creamy-white glaze. 


From the A. W. Bahr Collection, American Art Association, 
1916. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


237—CuInESE Porcetain Bow. Mig Period 
Deep bowl, with serpentined sides, enriched in light relief with 
figures of Mandarins and their attendants upon a journey; at 
foot with arabesqued floral lobes. Glazed in turquoise-blue, the 
figures showing the original tan paste; on a background of ex- 
tremely fine aubergine blue. Interior glazed apple-green. Has 


been cut at collar. 
Height, 1034 inches. 


(Illustrated) 


238—CHINESE PorcELAIN VASE Late XVIII Century 


Globular body, with trumpet mouth, beautifully glazed in cherry- 
red having minute pittings and splashes. (Restored at mouth.) 


Height, 15 inches. 


239—CuHInEsE BLUE-AND-wHITE HawtHorn TemMpLE VASE 
K’ang-hst Period 
Inverted pear-shaped, with tall flaring front, decorated in bril- 
liant rich cobalt blue, crackling ice grounds. Reserved on both 
body and neck with fine ascending sprays of prunus interrupted 


by circular Shou marks. (Lip restored.) 
Height, 1714 inches. 


Second Session 


241 


240—Rare Buvue-anpd-wHitTEe CurInesE Porceiain DisH 

K’ang-hst Period 
Saucer-shaped ; decorated in underglaze-blue with scrolls of lotus 
spreading over the interior and covering the under border, ar- 
ranged so as to display in each flower the cup-shaped fruit 
studded with the seeds in the midst of a whorl of petals. Around 
the base of the dish, underneath, a groove is unglazed, char- 
acteristic of the finest large dishes of the period. Six character 
mark within a double circle. 


Diameter, 1434 inches. 


From the Perry and Canfield Collections, American Art Assocta- 
tion, 1916. 
(Companion to following) 


241—Rarer BuvueE-AND-WHITE CHINESE PorRcELAIN DisH 
K’ang-hst Period 
Similar to preceding. 
From the Perry and Canfield Collections, American Art Associa- 
tion, 1916. 
(Illustrated) 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


i 


242 


242—CriuB-sHAPED PorcELAIN Manparin VAsE 

| Chinese, Chia Ch’ing Period 
The neck bears four reserves displaying rustic scenes in claret 
with orioles perched on the flowering twigs. Body with mille- 
fleurs decoration in relief and varicolors and also two reserves 

decorated with scenes of “Chinese Hospitality.” 
Height, 141% inches. 

(Illustrated) 


243—CHINESE BLUE-AND-WHITE PorcELAIN TEMPLE VASE 
K’ang-hsi Period 
Inverted pear-shape, with broad flaring throat. Decorated with 
florally diapered grounds reserved with numerous lobed medal- 
lions occupied by figures of the eight Taoist Immortals, carrying 


their various symbols. 
Height, 17%, inches. 


Second Session 


245 


244—CuinesE Porcenarn. CovEreD HawrHorn JARDINIERE 
K’ang-hsi Period 
Inverted pear-shape, with straight collar and domed cover with 
valanced flange and short pear-shaped terminal. Enriched with 
ii very beautiful translucent crackling ice ground, reserved with 
: finely drawn ascending sprays of prunus; ju’i valance at collar. 
Height, 161, inches. 


| (Illustrated) 


245—Two CurxesE BLUE-AND-WHITE TEMPLE VASES 

| K’ang-hst Period 
Pear-shape, with broad trumpet mouth. Enriched in very beauti- 
ful translucent cobalt-blue with domestic figures in groups, moun- 


tainous landscapes and foliage. (One restored at lip.) 
Heights, 151% inches. 


(Illustrated) 


246—CuInesE Porcetain Tempite GarnitureE Ch’ten-lung Period 
Three gilded pear-shaped discs; enriched with jewel-like rosettes 
and lozenge piercings at centre; the two outer on finely gad- 
rooned round bases; the centre supported on pierced scrolled 
bracketed bulbous shaft and dome base adorned in colors with 
lotus sprays, j’ui motives and scrollings. 


| Heights, 1734, 1034 inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. My 


247 


247—LarcEe CuHInEsE PorcELAIN JARDINIERE Ming Period 
Broad inverted pear-shape. Decorated in old reds, blue, green, 
yellow, and aubergine with branches of peonies rising from rock- 
ery and ramifying the field; brilliant plumaged feng-huangs are 
seen amidst the flowers. Chevroned border at crown and floral 
valance at foot; on bluish-ivory ground; fitted with lining having 

molded brass collar. (Has been cut at mouth.) 
Height, 231%, inches. 

(Illustrated) 


248—CuInEsE PorcELAIN JARDINIERE AND Stand AVIII Century 


Ribbed elongated octagonal deep bowl, with finely scrolled flanged 
rim and molded valanced foot. Enriched in lavender, blue, red, 
green, yellow, and gilded body with mountainous landscapes ; 
the rim with Shou marks interrupting rustic stems of flowers, 
and fruit; the foot with floral scrollings. Fitted stand with 
frieze of scrollings; supported on open stretchered and shaped 


legs. 
Total height, 361, inches; length of bowl, 28%, inches. 


Second Session 


249 


249—-CHINESE BLUE-AND-WHITE Paneer ain Fish Bowt anp Sranp 
Early XVIII Century 


Deep bowl with quickly curving sides and thumb-molded mouth. 
Decorated in fine blue with scrollings of lilies amidst which are 
feng-huangs; j’ul valance and pearls at mouth, leaf motives 
at foot. Round stand with inset marble top and valanced in-— 
curved legs terminating in claw-feet. | 


Total height, 37 inches; diameter, 18 inches. 


250—-CuinEse Porcetain VASE Ch’ien-lung Period 
Lobed and flattened baluster-shape; enriched with four medal- 
lions of mountainous landscapes surrounded by beautiful scroll- 
ings of lotus and chrysanthemums in harmonious colors on ivory 


grounds. 
Height, 181% inches. 


251—Larce Porcextain Fish Bown . Chinese, Late XVIII Century . 


Globular bowl decorated with large waterplants, lotus, butter- 
flies and Ho-Ho birds in rose, emerald, cypress and pale green 


and ivory, on a white ground. 
Diameter, 19 inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. a 


252—Cuines—E Biue-AND-wHITE PorceLaIn JARDINIERE AND STAND 

Early XVIII Century 
Octagonal bowl, with flanged rim and flaring molded foot. En- 
riched in beautiful deep blue on the body with subjects depicting 
episodes in the life of Shou-lao; the rim with sprays of asters; 
the foot with series of leaf motives. Fitted octagonal stand, 
carved on rim with Chinese wave-forms and scrollings. Sup- 
ported on open stretcher and shaped legs. 7 


Total height, 36%, inches; diameter of bowl, 221, inches. 


253—Decoratep CHINESE PorceLain Vase Chia Ching Period 


Club-shaped ; decorated in relief with two groups of devotees at 
their offices, one group standing on wave motives. (Has been 


repaired. ) 
Height, 291, inches. 


254—-T wo CutnEsE PorcELAIN COVERED BALUSTER-SHAPED VASES 


Decorated in the famille verte manner with domestic scenes, audi- 
ences and processions in green, rouge-de-fer, aubergine, cobalt- 
blue and yellow. Conventional reserved trellis borders. Covers 


surmounted by recumbent kylins. : 
Height, 26 inches. 


255—Two Pottery Manparin Ficures Chinese, XVIII Century 


MANCHU MANDARIN AND HIS LADY. In ceremonial pose, standing 
on angular-sided bases, richly enameled in black, yellow and 
green, famille verte, three-color glazes, “‘sant’sai,” The heads, 
hands and lower part of the body are unglazed and movable. 


Very typical Manchu costumes of the period. 
Height, 33 inches. 


From the A. W, Bahr Collection, American Art Association, 
1916. 


256—Two BuvuE-Anp-wHittE LANTERN GLOBES Ch'ien-lung Period 


Semi-eggshell porcelain. Decorated with the figures of three of 
the immortals, rocks and trees. Have metal stands. 


Height of globes, 10 inches; height of stands, 8 inches. 


Second Session 


257 


957—BEAUTIFUL CHINESE WuiTE PorcEeLAIn BEAKER 
K’ang-hst Period 


The ornamentation, which is skilfully carved in high relief in 
the paste, consists of a wide band of dragons and cloud forms, 
above which are two narrower bands of archaic dragons and 
scrolls. The neck and base are encircled by wide borders of 
key-fret and palmettes in relief. Height, 111 inches. 


From the A. W. Bahr Collection, American Art Association, 
1916. 
(Illustrated) 
258—Tatu BLuE-AND-wWHITE CHinEsE PorceLAIn VASE 

Ch’ien-lung Period 
Bulbous body, slightly contracting from the foot, swelling grace- 
fully and receding again to a slender neck, which is finished 
with a trumpet lip. Soft white brilliant glaze, with peau d’orange 


[Continued 


Kindly read the Conditions under which every item is offered and sre 
They are printed mm the forepart of the Catalogue. 


surface; vigorously painted in underglaze with rich cobalt-blue 
with the figure of a huge Fu-lion clutching the brocaded ball, 
and a smaller Fu-lion in rampant attitude. (Restored at lip.) 
Height, 26% inches. 
From the S. S. Carvalho Collection, American Art Association, 
1914. 
259—Brconia In CHAMPLEVE JARDINIERE 

Chinese, Ch’ien-lung Period 
Broad, serrated leaves of brightly polished green jade and blos- 
soms of clouded mauve-pink tourmaline; under the plant a lapis- 
lazuli rock. The jardiniére is of polyfoliate outline, with out- 
standing flat rim having a raised lip and deep spreading foot. 
The gilded rim is engraved with a floral scroll border and the 
lip with incised key-fret. The body and foot in champlevé enamel 
with small blossoms and scrolls in turquoise and dark lapis-blue ; 
set into the body are eight quadrilateral panels of Lang-yao 
porcelain, each finely incised with a different poem of the Em- 

peror Ch’ien-lung. 
Height of jardiniére, 31%, inches; diameter, 634, inches; total height, 

12 inches. 
From the Yamanaka Collection, American Art Association, 1916. 

(Companion to following) 
260—Brconia IN CHAMPLEVE JARDINIERE 


Similar to preceding. Chinese, Chien-lung Period 


From the Yamanaka Collection, American Art Association, 1916. 


261—Tatt BivuE-anp-wuHiTe CuHinesE Porceiain Vase 

: K’ang-hst Period 
Tall club-shape; exquisitely and forcefully painted in brilliant 
colors with six panels in two tiers, having different subjects— 
a swooping eagle and a Fu-lion, standing on rocks in a turbulent 
sea, glare at each other, with the elusive flaming jewel soaring 
over the lion’s head. Elsewhere the lion appears without the 
eagle; landscapes with figures and symbols of the one hundred 
antiques occupy other panels. On the shoulder is a lattice with 
medallion reserves and on the neck a succession of varying bor- 


ders. Mark, a blue double ring. With stand. 
Height, 291, inches. 


From the 8S. S. Carvalho Collection, American Art Association, 
1914. 


Second Session 


ENGLISH, DUTCH AND ITALIAN FURNITURE OF THE 
XVII AND XVIII CENTURIES 


262—Intai Manocany TorteT Mirror 
American, Late Sheraton Period 
Arched oblong mirror; supported on gracefully turned shafts 
having pendants and terminals. On arched bracket feet and 


shaped cross stretcher. 
Height, 21 inches; width, 15°, inches. 


263—Ovat Laqut GateE-LEG TasLE Dutch, XVIII Century 
Frieze fitted with one drawer. Simple, stretchered turnwork legs 
with ball feet. Top and drop leaves decorated with birds in land- 
scapes in warm brownish tones surrounded by yellow scrollwork 


on a green ground. 
Height, 29 inches; width, 15 inches. 


264—Two Smatt Carved Consote TABLES 
Italian, Directoire Period 
Semi-circular rimmed top; frieze fitted with drawer. Serpen- 
tined front legs carved at crowns with Egyptian caryatids; vase 


feet. 
Height, 35 inches; width, 22 inches. 


265—Initari Manocany Sipe Taste 
Italian, Late XVIII Century 
Oblong rimmed top; with inlaid panel. Frieze fitted with two 
drawers; valanced apron with drawer. On slender cabriole legs. 


Height, 281% inches; width, 23 inches. 


266—Brrecu anp LeatHer Corner ARMCHAIR 
American, XVII Century 
Semi-circular back with roll-over crowning arms and _ loose 
cushion seat covered in fine old russet leather, trimmed with brass 
nails. Back supported on columnar motives continuing into legs 
having double, railed stretchers. Original rush seat. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


267—LeaTHER AND WALNUT CHAIR Tuscan, XVI Century 
Oblong back and seat, covered in original deep russet hide, 
trimmed with brass nails. Sloping square back supports. On 
square legs having valanced frontal stretcher. 


268—Two Vetver Waunut Srate Cuairs Italian, XVII Century 
Spreading back with serpentined top. Arms, arm supports, 
front legs and frontal stretcher boldly scrolled, the latter en-_ 
riched with baroque fan motive; the side stretchers curiously in- 
cised. Covered in crimson velvet studded with large brass nails. 


269—Two Carved AND GILDED TorcHERES 
Italian, Late XVII Century 
Triangular baluster shafts enriched with acanthus leaves, vo- 
lutes and moldings in the baroque manner. Fitted for electricity. 


Height, 32 inches. 


270—Two Rep Lacever Cuests or Drawers 
Venetian, XVII Century 
Front fitted with three paneled drawers, displaying floral mo- 
tives in gold on spandrils and central panels. Half-round 
pilasters terminating in unusual scrolled stump feet. Ends and 
top decorated with rustic scenes and flowers. Chiseled cuivre 
doré mountings. (Have been refinished.) 


Height, 36 inches; width, 25 inches. 


271—Qvuaint Wautnvut Cuest or Drawers 
Italian, Late XVII Century 
Front and sides bombé at top and strongly incurved towards 
base. Fitted with shallow top drawer, writing slide and three 
larger drawers. Both front and sides paneled in walnut within 
bands of bois vert and tulipwood. Recessed quadrilateral curved 
legs with rudimentary hoof feet. 


Height, 39 inches; width, 344, inches. 


Second Session 


272 


272—Ampoyna Work TABLE English, Eighteenth Century 
Octagonal frieze with hinged top giving access to large green 
silk work bag. Square uprights. Fitted with one drawer toward 
foot. On four square slender, tapering legs having cutvre doré 


spade feet. 
Height, 29 inches; width, 24 inches. 


(Illustrated) 


273—Carvep Manocany Carp Tape English, XVIII Century 
Shaped hinged top, with enriched moldings; the inner surface 
lined with fine Persian embroidery; serpentine front with apron, 
straight legs having angles with reel and rosette patterns and 
acanthus leaf bracketings. 


Height, 2 feet 5 inches; length, 3 feet; width, 1 foot 6 inches. 


‘Kindly read the Conditions under which every item is offered and sold. 
They are printed m the forepart of the Catalogue. 


274—CarvEpD AND Laqukt CoMMODE Venetian, XVIII Century 


Bow front, with three drawers having gilded beadings and leaf 
scrollings, the latter repeated on the rounded pilasters and 
bombé sides. Valanced, beaded apron with flower sprays and 
scrolls. Short cabriole legs. Executed in pastel colors on green- — 
ish-yellow grounds. Vert-flewrt marble top. 

Height, 86 inches; length, 52 inches. 


275—Carvep Miniature Ceparwoop Desk 
Italian, Late XVII Century 
Slant fall-front, the exterior having raised cartouche-shaped cen- 
tral panel and scrolled spandrils. Four drawers with similarly 
treated fronts. Fitted interior with central door adorned with 
ivory panel of ‘The Ascension.” Exterior and interior of desk 
enriched with silver mounts of religious and heraldic character. 


Claw feet. 
Height, 19 inches; width, 18 inches. 


276—Carvep AND Intaip Waxtnut Tape 
: Italian, Early XVIIT Cenutry 
Square, with gracefully serpentined sides and semi-circular cor- 
ners, having appliqué rim. Scrolled central panel in chestnut 
surrounded by a double ribbon border. Banded recessed frieze 
with end-on-end drawers. Cabriole legs with knee scrollings and 


hoof feet. 
Height, 2914 inches; width, 33 inches. 


277—-CarvED AND GILDED ConsoLE Taste Italian, XVIII Century 


Oblong frieze with entwined leaf and husk sprays flanking small 
diamond-shaped panels displaying aureoles. Raised, pearl- 
beaded and scrolled central panel; shaped at base. Unusual quad- 
rilateral legs, enriched ad quatre faces with flutings, leafage and 
husks. Statuary marble top. 


Height, 3 feet 1 inch; length, 3 feet 7 inches. 


278—T'wo Carvep AND GILDED GuERIDONS 
Italian, Early XVIII Century 
Oval, serpentined top having scrolled apron. Supported on 
slender, tapering hexagonal shaft interrupted by baluster to- 


wards top. Tripod base of voluted scrolls. 
Height, 35 inches. 


Second Session 


279—Two Carvep Laaqut Tasies Dutch, Late XVIII Century 
Oblong top; frieze enriched with guilloche motives. On tapering, 
spirally fluted legs having rosetted dies and bulbous feet. Grace- 
fully carved and fluted X-shaped stretcher, surmounted in cen- 
tre by classic urn. Painted light gray. 


Height, 28 inches; length, 381%, inches. 


280—Carvep Watnut ConsoLe Tape Italian, XVII Century 
Serpentined front and ends. Supported on molded, cabriole 
legs having cartouche-carved knees. Enriched scrolled aprons. 


Height, 30 inches; length, 42 inches. 


281—Carvep Ironwoop Draw Tare 
| Flemish, Late XVII Century 
Oblong top, with two pull-out end extensions. Paneled frieze 
with very unusual scrolled valances. Supported on bulbous legs, 
having double-T stretcher. 


Height, 2 feet 61% inches; length, top open, 8 feet 10 inches; closed, 
4 feet 71, inches; width, 2 feet 9 inches. 


282—Carvep anpD Inxtaip Waxtnvut Desk 
Italian, Early XVIII Century 
Molded oblong top; with small slant fall-front and fitted interior. 
Supported on two pedestals having two drawers each, inset round 
: pilasters, and scroll-valanced short cabriole legs with shell feet. 
: | ae Small pull writing-slide above kneehole. Inlaid with floral scrolled 


| boxwood borders on all facias. 


Height, 36 inches; length, 52 inches. 


Serpentined, molded top and front. Curved, paneled sides ; fitted 
with two drawers having triple panels. Strongly curved cabriole 
legs and valanced aprons. Quaint appliqué decoration of prints 
displaying pastoral subjects and scrollings in the Louis XV man- 
ner in many colors on a pale green ground. (Reconstructed.) 


: 283—Decorateo Laaukt ComMMODE Venetian, XVIII Century 
Height, 34 inches; length, 49 inches. 


Kindly read the Conditions under which every item is offered and sala 
They are printed m the forepart of the Catalogue. 


284—Watnut Cuest oF Drawers Dutch, XVIII Century 
Oblong top with scrolled thumb-molded edge. Broken undulating 
front fitted with four graduated drawers. Projecting cham- 
fered pilasters. Ball-and-claw feet. | 


Height, 34 inches; width, 39 inches. 


285—Iniaip Watnut Cuest or Drawers Italian, XVII Century 
Rectangular leaf-carved and molded frame, containing three 
drawers on wide scrolled feet with inlaid sejant griffins. Drawers 
with triple raised molded panels inlaid with an abundance of ani- 
mals and conventional floral scrollings in satinwood. Scrolled 


bronze handles with mascarons. 
Height, 4 feet; length, 5 feet. 


286—Carvep Oak Gate-LeG TABLE Jacobean Period 


Oval top, on turned, carved and twisted legs. Turned and 
twisted gates and side rails. 


Height, 2 feet 6 inches; length, 4 feet 8 inches; width, 4 feet. 


From the original Collection of Henry Symons, American Art 
Association, 19115. 


287—CaRvVED AND GILDED ConsoLte Taste Italian, XVIII Century 
Paneled broken frieze, carved with leaf scrollings and festoons 
within spiraled ribbon moldings. Rosetted pearl-beaded dies 
above legs having leaf motives at shoulders and base. Massive 


red Spanish griotte marble top. 
Height, 37 inches; length, 49 inches. 


288—Carvep AnD Laquk TaBLE Venetian, XVIII Century 
Oblong top with slightly incurvate sides and inset quarter-round 
corners. Supported on two spirally twisted, columnar legs hav- 
ing molded cross feet. The top is elaborately decorated with 
oblong central panel depicting palace gardens and courtiers, 
gilded scrollings, and floral corner reserves in various mellow 
colors on deep Venetian-red ground. Legs and feet similarly 
decorated with small blossom and other floral motives. | 


Height, 31 inches; length, 44 inches. 


Second Session 


289—Oaxk GatTeE-LEG TABLE Jacobean Period 
Oval folding top; on arched and balustered legs having slender 
pear-shaped motives, molded box stretcher and two similar fine 


gates. 
Height, 28% inches; top open, 48 by 401% inches. 


290—Carvep WatnvuT BErcERE Louis Philippe Period 
Oblong, with canted back sharply sloping into closed arms, ter- 
minating in acanthus leaf scrolls, on vase-shaped legs. Uphol- 
stered in floral tapestry of a somewhat earlier period. 


From the Clyde Fitch Collection. 


291—Five Watnvur Armcuairs AND Five Sipe Cuarrs 
Italian, Late XVIII Century 
Shield-shaped back, crested by rosetted leaf volutes, the lower 
circumference with ribbon-swathed laurel leaf moldings. Fluted 
uprights with rosetted dies and leaf finials. Graceful, molded 
arms on incurvate supports. Inverted, bottle-shaped legs carved 
with leaf motives. Upholstered in red leather. 


292—DecoratEeD LaqguE ComMOoDE Venetian, XVIII Century 


Curved sides, serpentined front and quarter-round recessed cor- 
ners. Molded cabriole legs terminating in hoof feet, scrolled 
apron. Decorations show Chinese influence, displaying birds of 
gay plumage, perched on flowering branches in delicate, mellow 
colors on a neutral green ground. Two large drawers. Bréche 
marble top. 


Height, 37 inches; length, 52 inches. 


2938—MAacniFIicENT Mooszt Heap 


Finely mounted head, having very remarkably tined and spread- 
ing antlers. Shield-shaped oak back. 


Height, 414%, inches; spread of antlers, 58 inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed m the forepart of the Cane gee <a 


294—AuvBusson CARVED AND GILDED SALON SUITE 7 
Louis XVI Style 
Consisting of canapé and four fauteuils. Ribbon-molded oblong 
back and seat covered in very finely woven Aubusson tapestry, 
displaying vases of loose flowers in delicate colors’ on ivory 
grounds. Open scrolled arms. Supported on tapering reed- 
fluted round legs having rosettes at seat rail. 


(Illustrated) 


294—Avsusson CARVED AND GILDED SALON SUITE 
(Louis XVI Style) 


Oo 


N 


be 


Raeciog 


a ve lee Sees, 


Kindly read the Conditions under which every item is offered and sold, 
They are printed in the forepart of the Catalogue. 


295 


295—Unusuat Fruirwoop Bureau William and Mary Period 


Deeply molded top; frieze fitted with drawer, paneled as two with 
arrow-like motives; original knobs; two deep drawers below 
each, double paneled with varied intricate cruciform moldings. 
On molded base having pear-shaped stump feet. Very rich old 


patina. 
Height, 36 inches; length, 371% inches. 
(Illustrated) 
296—Intai Waxtnut Commoner Italian, Early XVIII Century 


Undulating sides, chamfered corners and outcurved broken 
front. Fitted with two small and three large drawers. Drawer 
fronts and sides paneled in walnut root outlined in satinwood 
and enclosed within cross-bandings of walnut. Scrolled, pierced 
and carved apron. Short cabriole legs. 

Height, 38 inches; width, 56 inches. 


Second Session 


297—Inuaip WatnNut CoMMODE Italian, Early XVIII Century 
Similar to preceding. 
Height, 38 inches; width, 56 inches. 


298—Carvep Waunour Writine Desk Chippendale Period 


Oblong top, with pierced leaf-enriched gallery. Slant fall-front 
with paneled scrollings ; fitted with drawer under and gadrooned 
apron having ribboned enrichment. On cabriole legs with leaf 
knees and ball-and-claw feet. Exceptionally fine, fitted interior, 
The gallery, panels and other carving of a later period. 


Height, 44 inches; width, 45 inches, 


299—T wo CarvEepD _AND GitpeD Prpestats Italian, XVII Century 
Incurved square walnut top and base; quadrangular molded bal- 
uster shaft, enriched with leafage, gadroons, floral and husk pen- 
dants and acanthus leaf scrolls. 

‘ord 23) BS Height, 52 inches. 


300—Carvep Manocany SECRETAIRE-BOOKCASE 
. English, XVIII Century 
Upper section fitted with two narrow, paneled doors and sur- 
mounted by rosetted swanneck pediment, Lower section with 
slant writing-fall revealing fitted interior; frieze with shallow 
drawer. On cabriole legs having shell-carved knees and unusual 

leaf feet. Cuivre doré drawer mounts. (Reconstructed.) 


Height, 6 feet 6 inches; width, 28 inches. 


oe a, 5 e 


(v1g ‘MM fq sbujyuwg aorns0osagq YIM ) 


ANW] ‘Uf[ 10 AONAGISAY AWL NI WOOF NOWdAOAyY GHIANVG 


THIRD SESSION om 


FRIDAY EVENING, NOVEMBER 21, 1924 
eee AMERCAN ART GALLERIES 


BEGINNING AT 8:15 O’CLOCK 


¥ Catalogue Numbers 301 to 375 inclusive 


VINCENT JEAN BAPTISTE CHEVILLARD 
Frencu: 1841—1904 


801—LE VIEUX CELIBATAIRE 
| (Water-color) 
LO, Height, 8 inches; width, 51% inches 


An aged cleric in a skull-cap and spectacles, standing ina bright light 
and facing the onlooker, turned a bit to his left, has drawn back one 
side of his long black gown and is sewing a button on his brown trousers. 


Signed at the lower right, V. CHEVILLARD. 


HUBERT ROBERT 
Frencu: 1733—1808 


302—_THE COLISEUM, ROME ona 
=, (Gouache Drawing) | 
| Height, 174% wmches; length, 25 inches 
Exterior view of the Coliseum of Rome with figures in eighteenth cen- 
tury costumes and peasants driving laden asses in the foreground. 


Signed in the left-hand corner, H. Robert, 1760. In carved wood and 
gilded frame. 


Note: Hubert Robert, known in his day as “Robert des Ruines” from his fond-_ 
ness for painting classic ruins, spent many years studying for his great and now 
vastly appreciated compositions. 


. ° g, 7 g <7 
From the collection of Madame Cornes of Paris. “Zo Célé€legece_ 


SO 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


ALTER SATTERLEE 
AMERICAN: 1844—1908 


3083—A MEDIAVAL PRINCESS 
( Water-color) 
Height, 22 inches; width, 14 inches 


Three-quarter length standing figures of a beautiful young woman, 
looking toward right and wearing blue embroidered vest, old-red pink 
brocaded coat with high blue collar and floral ivory skirt, her brown 
hair within a jeweled mulberry a She carries a peacock-feather 
fan in her left hand. 

Signed at the lower right, W. SATTERLEE. 


JAN VAN GOYEN 
Dutcu: 1596—1665 


304-THE BRIDGE 
(Panel) 


Height, 71% inches; length, 101% inches 


A bridge with heavy abutments and short arch, its narrow roadway 
guarded by rustic rails, extends across the canvas, brick houses with 
large chimneys and tile roofs stand at either approach amid groups 
of trees. Under it in the stream a man is rowing a boat in which 
are two stout women in red waists and on land at either side are men 
and women of rural type. The composition is in mellow tones of 
brown, soft dull red and yellowish-green, with the water in sunlight 
beyond the bridge reflecting a light sky in which grayish and white 
clouds float before the blue depths. 


From the Nicholas M. Matthews Collection, American Art Association, 


1914. -Aés~ $75 Ole hherneh 


Third Session 


SCHOOL OF GUARDI 
Irauian: XVIII Century 


305—SANTA MARIA DEL SALUTE, VENICE (2... ee wieIe 
BERS | Height, 734, inches; length, 934, inches 


The domed and pinnacled church appears somewhat to right surrounded 
by minor edifices. The lagoon, before the church, bears many sailing 
vessels and gondolas. 

(Companion to following) 


SCHOOL OF GUARDI 


TIratian: XVIII CENTURY 


306—THE PLAZA OF ST. MARK’S, VENICE @. Te yeaa y, 


Q on Height, 724 inches; length, 934 inches 
} 


Tur Arcaded Libreria Vecchia north of the Plaza extends to about 
centre; nearby are the two famous leonic columns. Vendors with their 
stalls’and other personages are grouped before the edifice. The canal 
and distant buildings are at centre and beyond. 


(Companion to preceding) 


FREDERICK GOODALL, R.A. 
Eneutsu: 1822—1904 


307—THE BANKS OF THE NILE ae enemy 


aS. s Height, 8 inches; length, 1514 Hey 


Sunlit ancient ruined edifices stretch from left to about centre. Several 
groups and single personages are seen on or about the ruins. At right 
the sails of vessels are seen above the low banks of the river. 


Signed at lower right with monogram F. G., and date 1859-70. 


1s 


i 


Kindly read the Conditions under which every item is offered and sold. 
oe They are printed in the forepart of the Catalogue. 


SCHOOL OF GUARDI 


ITALIAN: XVIII CENT 


308—PLAZA OF ST. MARK’S, VENICE 
Height, 1014 inches; length, 


14 inches 


The beautiful domes of the church appear about centre distance with 
the Campanile at right and flanking arcades of the Libreria Vecchia. 
The Plaza is animated by many groups of personages; one group is be- 
fore an al fresco marionette show about to commence its performance. 


M. GRUBY 


ITALIAN: Come Est pod 


309—ST. MICHAEL’S CHURCH, VENICE 
Height, 1044 inches; length, 1514 inches 


The famous edifice, with its fine pilasters and domed roof is seen at 
centre and right before the canal; on which are several gondolas. At 


left distance domestic buildings appear. 


Signed at lower left, M. Grusy. 


MARY HELEN CARLISLE — 


AMERICAN: CONTEMPORARY 


310—THE KNOCKMELEDOWN MOUNTAINS 


a5. 


(Pastel) 
Height, 1124 inches; length, 


FROM CASTLETOWN 


14 inches 


Perched on a pergola in Castletown, a peacock is sunning himself ; 
in the distance is a fine view of the Knockmeledon Mountains. 


Signed at lower left, M. H.C. 


Third Session 


WILLIAM GEDNEY BUNCE, N.A. 
AMERICAN: 1840—1916 


311I—VENETIAN BOATS 4 


4 (Panel) 
O Height, 124% inches; width, 9 inches 


A group of the characteristic sailing boats of Venetian waters, with 
tall single masts and lateen sails, is observed on a brilliant summer 
day against a white sky tinged with mauve. The hulls of the boats 
are dark reddish-brown, and as the vessels lie quietly in the blue-green 
water their chromatic sails lend softened tints to: the liquid surface. 
In the distance are other boats with highly colored canvases. 


Purchased from William M acbeth, 1909. 


From. the Collection of J. R. Andrews, American Art Association, 


1916. -#9/- $750 - Blo Mheerch 


RICHARD PARKES BONINGTON 
EncuisoH: 1801—1828 


312—STREET SCENE 


Sea OD j Height, 134% imches; width, OY, inches 


The spectator looks down a narrow street which presently opens to a 
broad transverse street giving upon a park, in which sundry low build- 
ings are overtopped by a distant high dome. On the left, a high red- 
dish-gray building throws its shadow upon the narrow street. Outside 
a gate in a garden wall an aged and bent woman, seated on a chair, 


holds a child on her lap. 


From the Painting Collection, American Art Association, January 27, 
1916. 


WALTER BLACKMAN 
AMERICAN: 1847— 


313—ITALIAN FISHER GIRL be, S. (? oe 7 


Y ah Height, 19 inches; width, 14 inches 


Bust-length of a pretty girl in profile to right, wearing a red kerchief 
over her dark hair and a low-cut lavender dress. 


Signed at upper left, WaLTER BLACKMAN. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


SCHOOL OF SIR GODFREY KNELLER 


Encusn: XVII Century 


314—PORTRAIT OF WILLIAM III 7 ; 
OS. Oval: Height, 1434 inches; width, 1134 inches 
William, Prince of Orange; half-length, wearing long black curling wig 


to shoulders, ermine-trimmed and embroidered coat and lace jabot. 
In carved and gilded frame enriched with scrollings, bai oes and 
bunches of. grapes. | 


From the original ‘Henry Symons Collection, American Art Associa- 
tion, 1915. _ Cob. “~ ust pores’ 


SCHOOL OF GUARDI 


Iratian: XVIII Century 


315—THE BRIDGE OF SIGHS, VENICE \\rq ‘| Oe madecad| 


7 0 Height, 11%4 inches; length, 16%4 inches ) 


The mournful high-arched and covered bridge toward left is flanked 
by various palaces, which abut on a large red building at right, having 
an esplanade before it, animated by personages. Gondolas move to 
and fro and various shipping is tied up at the banks of the canal. 


DAVID J. GUE 
AMERICAN: 1836— 


316—THE OPEN SEA pnd aaaats 


bd Height, 20 inches; arn 36 inches 


Long rolling green waves crested in part with foam fall on to a sandy 
beach. Pale streaks of golden-yellow struggle through a gray lower- 
ing sky and cast their reflection on the forewaters about centre. 


Signed at lower left, D. J. Gur. 


Third. Session 


RALPH ALBERT BLAKELOCK, N.A. 
AMERICAN: 184'7—1919 


317—SUNSHINE ON A WOODLAND GLADE | 
rep WAI 


ee 


| ta | 
fo 50, Height, 13 inches; width, 12 inches b UN, C he’ 


Ancient gnarled oak-trees rise at left and right, giving a vista of a 
clump of further trees bathed in golden sunlight. Small patches of 
turquoise-blue sky are above a tracery formed by the upper branches 
.of the trees. 


Note: Originally sold by Blakelock to H. W. Watrous, October 14, 1892. See 
inscription on back. i 


\o 


‘Kindly read the Conditions under which every item is offered and sold. 


The sky is of qualified blue with white clouds. 


Cte 


They are printed in the forepart of the Catalogue. ~~ 
GEORGE H. BOUGHTON, N.A., R.A. 
orm AmERICAN: 1834—1905 wo 
318—LAKE WINDERMERE _ Re Wee ee | 
Height, 18 inches; length,: 26 wnches 


The placid lake, a soft and silvery green, occupies most of the fore- 
ground, coming in from the left and extending back in the middle dis- 
tance about a point jutting out from the right, and under a high hill 
on the left, which is part of a range that occupies the distance. The 
last rays of the setting sun, which tinge the horizon clouds a soft red, 
and softer, ineffable, rose-violet-gray, bathe the high hill in a delicate 
sunset glow. The sky higher up is a delicate greenish-blue and is 
mirrored in the foreground water, about the wreck of a weather-beaten 
sailboat now mastless. On the point on the right a gray boulder and 
small trees in autumn colors stand out against the sky. 


Signed at the lower right, G. H. Boucuton, 1855. 


Note: This painting is one of the first fruits of the artist’s tour of the lake coun- 
try, after his return to England in 1853, as the dated signature shows. - 


From the Collection of P. H. McMahon, American Art Association, 


1915-1916. FSR - BILS-—~ LM Keoneh, 


ACHILLE FRANCOIS OUDINOT 
Frencu: 1820—1891 
| (\ OD. eee 
(Panel) | ([ : 


0: Height, 16 inches; length, 27 inches 


319—ON THE OISE 


A landscape of pearly-gray tonality, depicting the river Oise, with 
shore at the left, lined with tall trees and hills in the distance at right. 


Signed at lower right, A. OupInoT. 


From thé Collection of the-late Governor Oliver Ames, American Art 


Association, 1919. -#2/- plo - lt Saunt, 


Third Session 


HENRY WILLSON WATROUS 
AMERICAN: 1857— 


320—THE LETTER WRITER ‘/VWAV KB : Ae WALL 


3 e, - Height, 1934 inches; width, 15°4 inches 


A slim, auburn-haired young girl, wearing lace fichu and black gown, 
is seated at a table contemplating a letter before her. Beyond the 
table is a large illuminated leather screen. 


FLORENTINE SCHOOL 


LatE XV CrEentTuRY 


321—_THE ADORATION | 1 D> 
ae (Arched Panel) / WAY ; U 
I] a 


Height, 2114, inches; width, 138%4 inches 
In the foreground the Holy Virgin, wearing crimson robes and a deep 
blue mantle, kneels toward right before the Infant Saviour, who re- 
clines on a pallet of straw. Beyond, at right is an edifice; at left 
animals are seen before a wattle fence and a landscape beyond. 


FRENCH SCHOOL 
XVIII Century 


322—LA MARQUISE DE VERVIERS 


(Pastel) Charter iW Esuhea! 


ISO : Height, 21 inches; length, 17 inches 


Charming young matron seen at half-length, slightly to right, holding 
a music score in her right hand. She wears a coral pink ribbon at 
throat and a robe over a lace vest having ruffles at sleeves. A lace cap 
is over her curling gray hair. 


Kindly read the Conditions under which every item ts offered and sold. 
They are printed in the forepart of the Catalogue. . 


- WILLEM KLAASZ HEDA 
Durcu: 1594—1678 


323—STILL LIFE: EAE CAKE 


(Panel) 
| Uy D. H Le 17 inches; length, 24: inches ; 
Ina wane yellow- green light of warm tone, reflected ‘ante an olive: wall a 
and seeming to have come through similarly toned glass, a group of me 


objects of the refreshment hour are observed on a green-covered table 
over which a white serviette has been spread at one end. Here a fruit 
cake or pudding is lying in a brass or pewter dish, with a cutting from 
it on a smaller dish, together with a round-bowled spoon. <A tumbler 
with some liquid in it stands back of the plate, a tall wine-glass still 
holding some of its red contents is beside it, with a ae gold cup 
surmounted by a statuette between them. 


From the Painting Collection, American Art Association, January rae 


1916. - #51 - plse- Dll lerrch 


J EAN BAPTISTE PERRONEAU 
FRENCH: 17151783 


324—_LE MARQUIS DE eae | | t (es. 
> ; Height, 21% inches; width, 18 mches 


Bust-length of a florid, middle-aged man; wearing long wig curling to 
shoulders of his black velvet coat; a lace ruffle and jabot is at his 


throat. a : 
Haba Obie R.A 


Eneuisu:, 1746—18381 


f yf} 
325—THE SAVOY ARD ieee 
Lf 5 0, Height, 29 inches; width, 24 inches 


Half-length of a young boy, with long curling black hair covered bya 
large black felt hat. He wears an open lawn shirt and yellow-green 


vest and is about to ah a Boab 7 


Third Session 


J. G. BROWN, N.A. 
AMERICAN: 1881—19138 


: —T) f) /) 
326—_THE LITTLE VAGABOND Ws By A. y 
a i Ce Height, 24 inches; width, 16 inches 


A somewhat thoughtful little lad, shabbily attired and having a large 
old-green umbrella under his right arm, stands before a door con- 
templating the prospect for good weather. 


Signed, CopyricuT, J. G. Brown, N.A. 


TO, read Vy. Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


OTTO PILTZ 
German: 1846— 
- juin | 
327—THE BELFRY INA “Bp. Ue 
es 
}O0 Height, 24 inches; width, 171% inches 3 


Two litle lads, with golden hair, have climbed to the belfry of an an- 
cient church and one is tapping a bell and both listen to its wondrous 
tone. Beyond through a window opening a vista of the countryside 


is seen. 
Signed, on wooden bar toward foot, O. Pitz, 1859. 


EMIL RAU 


Saxontan: 1858— 


328--TYROLESE PEASANT SMOKING | e 
$ ) : Height, 22 inches; weight, 18 inches 


Bust-length of a hearty young man, with blond curling moustache and 
hair; wearing a green felt hat, an ivory lawn vest and crimson coat. 


He is contentedly smoking his pipe. 
Signed at upper right, E. Rav. 


FRENCH SCHOOL 
XVIII Century 


329 PORTRAIT OF MLLE. SOUBISE Ihoud. re 8. | 
WO. Height, 25 inches; width, 21 inches 


Half-length of a charming young matron, wearing garlands of flowers 
over her gray hair and lace trimmed, rose-red dress. 


Third Session 


JAN VAN MABUSE: né GOSSAERT-GOSSARD 
Friemisy: 1472—1541 


330—THE VIRGIN ENTHRONED i iL) S me 


= | (Panel) 
Bi ot Height, 1134 mches; width, 834 inches 


The Virgin, draped in a violet-rose mantle of ample folds that cling to 
her figure, is seated with her face held close to the Child’s, as He stands" 
on her lap. Her elaborate throne is Flemish Renaissance in char-. 
acter and rises from a white marble dais to the top of the picture, 
where a canopy is crowned with a medallion, enclosing the winged head 
of a cherub. Conspicuous features of the carved work are the two 
newel posts, surmounted by fleur-de-lys, and two pendants at the 
canopy. At back is an opening through which appear the details of 
a landscape that extends beyond the throne, showing, on each side, a 
house. That at left is backed by wooded hills and craggy mountains; 
at right, by water, follow the windings of a precipitous shore line. 


From the notable Nicolas Riaboughinsky Collection, American Art 


Association, 1916. -KX - $ ILS - OUP Jhesrichn 


FRENCH SCHOOL 
XVIII Century Manner 


331—BROTHER AND SISTER WITH BIRD'S NEST 


vy -— (Pastel) la we (Osis 


Height, 361% inches; width, 311% inches 


A young girl wearing blue and yellow dress, lawn fichu and straw hat, 
is seated in close proximity to her brother attired in lavender-blue cos- 
tume with ruff about neck; before a woodland. The children hold be- 
tween them a nest in which are four fledglings. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


JAN VAN GOYEN 
Dutcu: 1596—1666 


332—MOUTH OF THE MEUSE 0 
(Panel) “o rte 


4 or ' Height, 18 inches; length, 2214 wches 


Painted almost in monotone, engaging in composition, and of remark- 
able quality within its monochromatic range. The broad river occu- 
pies the full span of the picture in the foreground, sweeping out to 
sea toward the right in the distance, about a long middleground shore 
consisting of a low point projecting from the left, where a windmill, 
a church and other buildings of the community rise above a mass of 
flourishing trees. Relieved against the umbrageous shoreline and its 
architectural accents are Dutch fishing vessels, with sails up, and 
fishermen in the foreground. 


Signed on lobster-pot to right of centre, J. V. G., 16538. 


From the collection of Miss Rogers, sister of the poet Samuel Rogers. 


From the F. A. G. Hood Collection, American Art Association, 1915.-// ws, , 
Commended by the German critic, Herr Waagen, in his consideration of 
England’s national treasures of art. 


> ee at | yas Third Session 


NARCISSE VIRGILE DIAZ DE LA PENA 
Frencu: 1809—1876 


333—FOREST OF FONTAINEBLEAU D. et TA peewee 3 f | 
Height, 91% inches; length, 141% adhe: 
ree 


At the Forest’s edge at sunset. The woods at the right with their dense 
foliage obscure the sky. The rest of the scene is broken land and wild, 
covered with green and russet growths, with here and there a gray 
rock. The sky at the left is dark with clouds, while from the centre 
come brilliant sunset reflections, which accent lightly the trunks of the 
outer forest trees. 

Signed at the lower left, Diaz, 1874. 


Note: This fine Diaz was originally purchased from the late Daniel Cottier. 


From the collection of Ichabod T. Williams, American Art Association, 
1915. -¥7/~ ITS- Olle lerxehy 


Kindly read the Conditions under which every item is offered and sold. 
: - They are printed im the forepart of the Catalogue. oe 


VAN BOEKEL ee 
 DutcH: 1673 


334—BIRDS IN FOLIAGE al te 


yy . Height, 264% imches:; length, 3314 inches 


Various birds are seen, some in bright colon before a dark batherautd | 
of a classical landscape with ruins. At the centre, in the foreground, 
a pheasant is perched upon the base of a broken column or pedestal, 
and a ruffled pigeon rests on the shoulder of an overturned urn above, 
while another pigeon is drinking on the right below, nearby a white 
chicken. On a withered branch of a tree on the left a tropical bird of 
flame-red plumage perches, looking down questioningly at the open- 


beaked pheasant. 


tw SE ea 


From the Painting Collection, American Art Association, January 27, 


se #71 - $90 - Oils leone. 
Utt.h, Hrttoner bolt (Joo -VEE lage 168 


PAULUS MOREELSE 
Dutcu: 1571—1688 


335—BARTHOLOMEUS VAN SEGWAERT MW, . 
SHERIFF OF DORDR W 1607 


o pr (Panel) 
Height, 2644 mches; width, 204% inches 
Half-length figure of a middle-aged man in black and gray dress, and 
elaborate white lace collar; brown hair, mustache and chin tuft. 


Note: The date of 1623 at the top of the portrait is probably the year of Van 
Segwaert’s death. 


Acquired from Messrs. Durand-Ruel. 


From the Catholina Lambert Collection, American Art Association, 


February 21-24, 1916. $289- £500 - Ollg Aeessct. 
(Illustrated) 


ee Ee ET Oe 


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No. 335—Barruotomevs VAN SEGWAERT, SHERIFF OF DorpRECHT, 
1607 


(By Paulus Moreelse) 


Kinaly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


E. P. THEODORE ROUSSEAU 
Frencu: 1812—1867 


336—STUDY OF SUNLIT WooDs ( Ce: Lea ie 
NAD : Height, 584 inches; length, 734 inches 1 
The artist has presented a morceau of delightful attraction; all the big- 
ness of a large landscape contained within thumb-box dimensions. The 
spot chosen is the edge or entrance of an open wood of tall trees, near 
the centre of the composition and well back, the ground around them 
a fresh green field or irregular surface with varied herbage. A slant 
of bright light from a lowering sun back of the spectator at the left, 
strikes upon the foliage, which has begun to show autumn hues and 
penetrates the woods a little way, accenting the trunks of trees 
within. A figure is suggested in a road between two hummocks in the 
middleground. 


Note: This fine Rousseau was originally acquired from the late Daniel Cottier. 


From the collection of Ichabod T. Williams, American Art Association, 


1915.43 - 8 725~ Olt Sbernch. 


Third Session 


JEAN BAPTISTE HUET -_ 
Frencnu: 1745—1811 


ie eaiey 
337—A SHEPHERDESS IN ARCADIA Wy. f! : Ly ff 
Caen Height, 2134 inches; width, 18 mches | 


An elaborately clad maiden is seated toward left, before an arched 
fountain embowered with very beautiful trees and vines. <A favorite 
goat is before her. A somewhat disconsolate lover leans over a low 
wall on which the maiden sits, receiving his courting while she care- 
lessly toys with a garland of flowers. | 


O. 
| 0 Height, 14 wmches; length, 18 inches 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. “4 


PAUL POTTER 
338—MILKING SCENE 


J val) ie 


A herd of cows is grouped in the foreground; on one a milkmaid leans 
an arm as she stands holding her pail. A man with a stick approaches 
from the right, while at her left a woman, wearing a white cap and red 
skirt, is seated on the ground beside a large brass bowl. Behind the 
figures extends a row of eight trees, whose traceried boughs and foliage 
form a screen, beyond which appears a gabled building with turret 
and spire. The entrance to its grounds seems to be on the left of the 
composition, through a gateway of brick piers, surmounted by lions. 
On the right, in the middle distance, a narrow, arched bridge leads to 
meadows, dotted with cattle, beyond which a village and church tower 
nestle amid trees. 


From the notable Nicholas Riabouchimsky Collection, American Art 
Association, 1916. - 7— PGI S- DME fhenuch 


Third Session 


GIOVANNI BATTISTA TIEPOLO 


Iratian: 1696—1770 a Bees. | 


omwes 
(Arched Panel) q 
Height, 231% inches; width, 15 wmches 


XX 


339—HOLY FAMILY 


The Holy Virgin enthroned, wearing red and yellow draperies, holding 
the Infant, to whom the elderly St. Joseph is speaking; to right an 
angel holds a rosary in his left hand, a flower in his right. Nearby 
the infant St. John is asleep. 


From the Catholina Lambert Collection, American Art Association, 


1916.—Zos— P- [280 - tll Sognucl, 


Kindly read the Conditions under which every item is offered and sold. 


They are printed in the forepart of the Catalogue. 


SCHOOL OF PANNINI 
Iranian: XVIII Century 


op | oe y) 
340—VENETIAN PALACES ANNA, ! AA of AL 


a (p OF (On Panel) 


oe 


Height, 32 inches; length, 4114 imches : 
Elaborately columned and arcaded palaces rise at right, before a pleas- a 
ant canal spanned by an arched and balustraded bridge at distant vk 
left on which gondolas fiit and graceful swans swim. Groups of 
figures are seen in the porticos of the edifices. 


PIETER VAN DER LEEUW 
~SCHOOL OF VAN DE VELDE 


Dutcu: 1644—1704 


(Panel) Web ( nyyenee 


341—MARINE 
Height, 2014 wmches; length, 24 inches 

In a green rolling sea, chopped with short white crests, a number of 
seventeenth century ships are seen plowing along in various directions, 
their gay sails, flags and pennants bellying and flying in a stiff breeze. 
Coming on is a ship with a bold figurehead and a numerous company 
on board, while a smaller vessel of fore-and-aft rig is passing out 
under her stern; other ships are seen in the distance. 


From the F. A. G. Hood Collection, American Art Association, 1915. PL S- R 
Ce b: 


SIR JOSHUA REYNOLDS. P.R.A. 


Eneusu: 1723—1792 
342—PORTRAIT OF THE ARTIST © y Wepre 
Height, 29 inches; width, 24 nches / 
Portrait of himself as an elderly man with large spectacles; half figure 
to front; dark green coat with brown collar; white stock, gray curly 


wig. One of several versions of this well-known portrait. 


(Illustrated) 


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They are printed in the forepart of the Catalogue. 


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XV CENTURY ITALIAN OOL 
343—THE MARRIAGE OF ST. oA 4 
S - (Panel, arched top) 

if fy 


Height, 1614 inches; width, 11 inches 


Small whole-length figure of the Virgin, in red, blue and green draper- 
ies, seated in the open, holding the Infant forward toward St. Cather- 
ine. Overhead two youthful angels are bearing wreaths. 


From the Catholina Lambert Collection, American Art Association, 


1916. kK283 — Jf 700 - hn "hesnet 


Third Session 


DOMENICO PULIGO 
FLoRENTINE: 1475—1527 


7 
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IK) UW. de 
344—_MADONNA, CHILD AND ST. JOHN V™! 
; Height, 32 imches; width, 25 inches 


Youthful Madonna to right, directed to left, in pink, blue and yellow 
draperies with brown headdress, supporting the Infant, who is hold- 
ing a blue and gold striped ball handed to Him by St. John, whose 
staff and red cloak are on the table. 

Note: A large and fine specimen of this interesting pupil of del Sarto, who was 


also greatly influenced by Ghirlandajo. 


From the Blakeslee Galleries Collection, American Art Association, 


1915. #9- §30Sb - Ltt fhesrecl 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


FRANCESCO GUARDI 


VENETIAN: 1712—1793 ot 


345—MASKED BALL IN VENICE 


K rr Height, 1244 mches; length, 20 iches 


The interior of the Venetian Ridotto in the eighteenth century. The 
room is of great size, the walls plainly painted in a grayish-green tone, 
and the rafters of the high ceiling exposed. In the vast spaces of this 
room a masked ball is in progress, the numerous figures: being clothed 
either in fancy costumes or in dominoes; the sombre effect of the black 
capes relieved by the gaiety of the light-colored dresses beneath, and 
more especially by the vivid coloring of a harlequin’s costume in the 
near foreground. ge 


Note: Among Guardi’s familiar scenes of outdoor Venice this interior, with its 
masterly treatment of the figures seen in artificial light, holds a place unique and 
entirely its own. (Illustrated in the Catalogue of the Stroganoff Collection.) 


From Professor Volpi’s Villa Pia, Florence, and acquired at the Da- 
vanzati Palace Collection, American Art Association, 1916. 1009 _ ; 


piisoo fh hue 


(spipny) oosaouniy hg) 
HOINDA NI TIvVG GeUSVJI—CHE “ON 


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[gO | Height, 211% inches; length, 38 inches 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


BERNARDO BELLOTTO 
-Trarian: 1724—1780 


346—THE DOGE’S PALACE, VENICE © MANA. Ay 


The famous ancient Gothic arcaded Palace is seen amid other edifices, 
stretching from right to centre. The esplanade is animated with 
numerous personages, and the waters of the canal with many gondolas — 
and other vessels. The church of Santa Maria del Salute is at left 
distance. 


GILBERT STUART 


AMERICAN: 1754—1828 | \\. 1) Stl 


347—PORTRAIT OF JOHN WILLET HOOD 
f 0 | 60: Height, 30 imches; width, 24% mches 


The Admiral is portrayed in rich dark blue coat, with broad revers 
and buttons of dull gold, its scarlet lined collar turned outward and 
bent down upon the shoulder. He wears a white stock and gracefully 
arranged jabot and a small gray-white wig. He faces the left, nearly 
three-quarters to the front, with fixed, steady gaze straight ahead. 
His eyes are blue and his cheeks rosy, and the flesh tones throughout 
are in the crisp, fresh rendering characteristic of the painter. With 
the light concentrated on the head and dimming as it falls upon the 
figure, the subject is seen against a neutral background of olive tones 
shading into brown. 


Note: John Willet Hood was Rear Admiral of the Red, Vice Admiral of the 
Coasts of Devonshire and Cornwall, Lord Warden of the Stannaries. 


From the F. A. G. Hood Collection, American Art Association, 1915. —-PK/ 
(Illustrated) prHis- Olt Cyr 


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No. 347—Portrair oF JoHN WiLLEt Woop 
(By Gilbert Stuart) 


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Kindly read the Conditions under which every item is offered and sold. 
They are printed mm the forepart of the Catalogue. 


Vsobeith- RICHARD YEO, R.A. 


ENeisH | 1720—1779 


“i 
348—PORTRAIT OF A-MAN i tees 
Height, 291% inches; width, 241% inches 


Half-length figure of a middle-aged man seated at a table with draw- 
ing board and compass. He wears costume embroidered with gold, 
white neckerchief and cuffs and gray wig. 

Note: Yeo was a medallist, painter and a scultpor. Foundation member of the 


Royal Academy. This portrait was engraved by A. N. Sanders, 1877, on a small 
scale. See Graves and Cronin’s “Works of Sir Joshua Reynolds,” 1899, Vol. III. 


From the Catholina mbert Collection, American Art Association, 
1916. —422- $//§50 - Wills hanch, 


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No. 348—Porrrair oF A Man 
(By Richard Yeo, R.A.) 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


CONSTANT TROYON 
Frencu: 1813—1865 


349—COWS IN PASTURE Oe. 
5 O ‘ Height, 86144 mches; width, 29 inches 


Eventide approaches and level meadows of the Netherlands are already 
in the dusk of shadows thrown across the grass by the tall trees of a 
green and brown wood, which enters the picture in the right fore-— 
ground, receding in the distance toward the left. In front of the 
woods a slant of late sunlight strikes across the field, brightening the 
succulent green flower-dotted grass and throwing into strong relief — 
two sleek, well-nourished cows with long coats. One stands athwart, 
headed left, a red cow spotted white, with opulent distended udder 
brought to view. The other cow is lying down—a white one, spotted 
black and brown, with head turned to inspect the observer. In the 
shadows of the middle distance at the left a woman is milking another 
of the herd, a man bending over her looking on. 


Signed at the lower left, C. Troron. 
Note: This fine Troyon was originally acquired from the late Daniel Cottier. 


From the collection of Ichabod T. Williams, American Art Association, 


1915.-F-//3-~ $ 5000- Hho a 


IN PASTURE 


Cows 


No. 349— 


Constant Troyon) 


(By 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


GABRIEL METSU 


DutcH: 1630—1667 Qu 
350-—-THE TOAST | Oe 


AQ. Height, 37 inches; width, 2414 inches 


An interior with seven figures, three men, three women and a boy; the 
hostess standing, with back to the spectator, wearing white satin dress © 
and pink jacket edged with white fur. The others are seated at a table 
and are toasting the health of the lady; a page is bringing in Oe 
ments. A guitar is on a sofa at left. 


Originally purchased from Sedelmeyer, Paris. 


From the Catholing Lambert Collection, American Art Association, 


1916.- Kian -$ 2880- gh heron. 


No. 350—Tue Toast 
(By Gabriel Metsu) 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. — 


JAN VAN HUYSUM 
~ Durcu: 1682—1749 


351—FLOWERS o WwW. 
oy Height, 71 inches; width, 46 inkhes 


Large sculptured vase with a massed arrangement of various bril- 
liantly colored flowers which occupy nearly the whole canvas. 


From the Catholina mbert Collection, American Art Association, 


1916._#YS- JB /oZS -~ Olle Sherueh, 


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Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


GEORGES MICHEL 
2 | 0, Frencu: 17683—1843 


352—A SEAPORT : | WAAL | 
Height, 2014 inches; length, 2614 inches 


A Beach, with figures in the left foreground. From right to left extend 

the waters of an estuary and beyond is the wide expanse of the ocean. 

On the right are seen the high walls of a port and the square towers of 

a castle, while a fleet of sailing vessels rides at anchor nearby. The 
_ sky is of fine, clear blue with masses of vaporous white clouds. 


From the Catholina Lambert Collection, American Art Association, 


1916. BOF plSb~ Olle Mert, 


qayaipy sabsoay fig) 
LUOdVAG W—ZGE ‘ON ; 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


ccs lly ote 


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PATRICK NASMYTH 


Scorcu: 1787—1831 Ns i) Qo 
E 


353—VIEW FROM HAMPSTEAD OVER T 
ii sO: WEALD OF HARROW 


Height, 18 inches; length, 24 wmches 


In the foreground a rough field road, entering from the right, passes 
between a green mound which forms a nearby horizon behind it on the 
right, and a pool on the left that is bordered by bushes, beyond which 
the road loses itself in the wild lands of hill and valley. At the foot 
of the mound is a blasted tree, surrounded by groups of green and 
brown brush, while green and brown bushes border the pond, a patch 
of whose surface is silvered by reflections from white clouds floating in 


o 


a 
banks of gray in a light blue sky. Near the pond two country folk / 
are conversing, and in the distance are further personages. $ 

Note: Exhibited at the British Institute, 1829, No. 453. 4 
From the F. A. G. Hood Collection, American Art Association, 1915. -K£4 - | 


pXio- Cleo Shan 


co | Third Session 


THOMAS SIDNEY COOPER, R.A. 
Encuisu: 1808—1902 


354—CATTLE AT NOONDAY REST Ama. 
' Height, 30 wmches; length, 42 inches 


Two brown cows recline, amid long-haired sheep, on a mound overlook- 
ing a low-lying river. A magnificent black cow stands-beyond, silhou- 
etted to left, against the white clouded blue sky. Other sheep and a 
cow at distant right; low hills appear across the sluggish river to 


left. 
Signed, 'T. Stpney Cooper, R.A., 1871. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


CATHERINE READ 


- 6 : EncuisH: Died in 1786 : ) ! a 
355—CHILD AND PARROT _ paiee pe 
Height, 33 inches; width, 271 inches — 


Nearly whole-length figure of a young girl in yellow-patterned dress, 
long brown sash and pink: and white lace bonnet, walking in a land-— 
scape; a parrot perched on the back of her left hand. 


Originally purchased from Messrs. T. Wallis & Son, London. 


From the Catholina Lambert Collection, American Art Association, 


1916. -#ZM1-~ $000- blts 


No. 855—Cnitp anp Parrot 
(By Catherine Read) 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


NICOLAS DE LARGILLIERE :. 

50: Frencu: 1656—1746 : | | ; 
ie ere ‘tna ©, 2 beet 

356—DUC DE PENTHIEVRE y . Be : 
Height, 351% inches; width, 29 imches a 


Half-length, about forty years of age, standing, directed to right, head 
turned and looking at spectator, wearing deep red patterned robes, 
white lace jabot, long flowing curly wig and white lace cuffs. Right 
hand extended with ring on last finger; red curtain at right. 

Note: Louis Joseph, Duc de Penthiévre and afterwards Duc de Vendome, born 
in 1654, entered the French army and distinguished himself in many battles, died at 
Tinaroz, Valencia, June 15th, 1712. 


From the Fi: Boos. Collection, American Art Association. 


1915.-¥#96- B/000— Off focrnel. 


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Soa See Ss PERPNE TY as are 


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No. 356—Duc pr PENTHIEVRE 
(By Nicolas de Largilliére) 


nc ta; S OIOLETE | EOE ALLEL LAGOA LA a y a E> lt OE ae RT Sit Et —s a a — 


yo 


Kindly read the Conditions under which every item is offered and sold. i 4 
_ They are printed in the forepart of the Catalogue. 


SCHOOL OF PANNINI 
Iratian: XVIII Century 


357—AN ELABORATE RUINED PALACE Wd. 1, WM. 
Height, 1714 inches; length, 5414 inches 


The remains of an Ionic capitaled and columned arcade are at right — 
before a series of arched gateways o’ergrown with vines; further varied 
arches and an obelisk are at left bordering the edge ah a lake. Many 
personages in conversation or promenading are before the arcade. 


PAOLO ANTONIO BARBIERI 
Irar1an: 16083—1649 


4 
358—FRUIT AND FLOWERS = WAL 


Height, 2544 inches; length, 3514 inches 


A crimson-pink covered table is occupied by two huge melons, a plate 
of figs and plums, a vase of jonquils and carnations, a dish of cherries 
and scattered fruit. 

(Companion to following) 


PAOLO ANTONIO BARBIERI 
Itatian: 1608—1649 


FRUIT 
Height, 2514 oh ae vont imches 


On a deep green covered table are spread apples, a large pear and a 
pomegranate before a wicker basket of mixed fruit and a dish of fine 
peaches. 


359 


(Companion to preceding) 


Third Session 


GIOVANNI BATTISTA TIEPOLO 
Iratran: 1696—1770 


360—ASCENSION OF ST. Meee Ae 


/ Height, 411% inches; length, 4914 


aches 


Whole-length figure of St. Margaret surrounded by youthful angels, 
one of whom holds a crozier. To the left a table with a book and 


carved ivory figure of Christ crucified; to right a flower urn. 


Note: Purchased directly from the Bishop of York, England. 


From the Catholina Lambert Collection, American Art Association, 


1916.-¥ 880 — B S00. Df festh. 


Kindly read the Conditions under which every item ts offered and sold. : 
They are printed in the forepart of the Catalogue. — ; 


JUAN CARRENO DE MIRANDA 


Srawis: 1614-1685 9 LuLety 


361—PORTRAIT OF A SPANISH PRINCESS 
3b rad 2 Height, 47 inches; width, 38% inches 


Whole-length portrait of a young child, standing, in light blue dress 
embroidered with flowers in gold, centre of corsage and sleeves with 
pearl ornaments, pearl rope over shoulders; brown hair dressed flat 
over forehead and ears; pillar to left, red curtain to right. 


Foon the collection of the late Stanford White, American ae Mane 
tion, 1911. 


From the collection of Catholina Lambert, American Art Association, ~~ 


1916. -#259__ $ 2500 - Olle eoneh, 


No. 361—Porrtrrait oF A SPANISH PRINCESS 


iranda) 


de M 


reno 


Juan Car 


(By 


Kindly read the Conditions under which every item is offered and sold. 


They are printed in the forepart of the Catalogue. 


GIOVANNI PAOLO PANNINI 
Irvatian: Circa 1695—1764 


362—ITALIAN RUINS 
pees Height, 39 ie length ene 


View of the seacoast in Italy, with figures, and numerous boats moored 
to a quay; to right is an ancient high gateway partly in ruizis; in the 
centre a circular temple, and in the distance a triple triumphal arch. 


From the collection of Lord Young, February 29, 1908; CASI Oe 
No. 59. 


From the Catholina Lambert Collection, American Art Association, 


1916. -#/7- $1150 - Otto hacnttl. 


(suewung ojovg wuvacy hg) 
SNINY NVIIVLJ—Z9e ‘ON 


Y (M6 . Height, 49 inches; length, 


' Kindly read the Conditions under which every item is offered and sold ‘ 
They are printed in the forepart of the Catalogue. 4 


ALLART VAN EVERDINGEN 
DutcH: 1612—1675 


363—SNOW IN THE MOUNTAINS io 
inches 


Winter is come in the Northland but sleighs are not out, nor is water 
frozen. Snow whitens the tall mountains which on the right loom high 
in the background, their peaks and slopes lessening and receding 
toward the left, and snow is sifted in a powderlike coating over tall 
evergreens and on the windward side of trees which have long since 
shed their leaves. Large buildings are perched high on the slopes. In | 
the foreground is a humble home and inn, hollowed out in the face of 
a sheer cliff and fronted with a wooden leanto. Here are seen several 
peasant maids and children, a man playing a bag-pipe and another 
man on horseback drinking. A caleche and two persons walking are 
proceeding up a road, and at the side of the inn cattle and sheep # are 
drinking at a pool of a mountain stream. 


From the McGuire Collection, Howard County, Maryland. 


From the Nicholas M. Matthews Collection, American Art Association, 2 “ 


1914. -F/I2 - $20 - Olle 


(uabuiplaagq ung 44nzqp hg) 
SNIVLNOOJ[ FHL NI MONG—E9E ‘ON 


Kindly read the Conditions under which every item is offered and sold. 4 
They are printed in the forepart of the Catalogue. = 


SCHOOL OF TITIAN 
Venetian: XVI Century 


364—THE HOLY FAMILY dq jeeeere Gal 


3 Aaa Height, 30 inches; length, 37 inches 


The Holy Mother is seated at the right ; wearing rich crimson blue anda 
yellow robes adoring the Infant Saviour, who is asleep on her lap. 
She is seated before a mountainous and wooded landscape and St. — 
Joseph is seen at left pouring over a tome which he holds on his knees. 


Note: This richly colored painting is enclosed within a contemporary frame 
elaborately enriched with scrollings, masks and fanciful motives. 


AELBERT CUYP 
Dutcu: 1620—1691 


365—CHRIST ON THE roaD ‘To Emmaus ). (Lt) 
4 . : 
oe (9TLO . Height, 4314 inches; length, 59 inches 


Our Lord, in conversation with two disciples, is seen under a clump of 
trees sheltering a building at right. About centre on a road winding 
from high hills around a lake at left, is a herd of kine followed by a 
peasant woman mounted on a white horse, two rustics and a hound. 
The scene is bathed in golden sunlight. 


From the Sedelmeyer Collection, Paris. 


(Illustrated) 


SERS ae a 


(dfing q4aqey fg) 


SAVWWY OL GvOY AHL NO LSIMH)—QG9g “ON 


Kindly read the Conditions under which every item ts offered and sold. 
They are printed in the forepart of the Catalogue. _ 


KARL-PIERRE DAUBIGNY 
FRENCH: — 


366—VIEW OF VILLERVILLE A Naat h 4 
1250. | Height, 88 inches; ae 57 inches z 


A sluggish stream flows across the foreground, before a low shore at 
middle distance, on which a windmill is prominent about centre; wooded 
cottages and further windmills are at left and right. The river is 
animated by several large fishing vessels. The moody evening 
atmosphere is finely depicted. 

Signed at lower left, Dausieny, 1872. 


From the Charles T., Yerkes age. American Art Association, 


1910. ~ #50 - Bisoc 7 ba PS 


No. 366—View or VILLERVILLE 
(By Karl-Pierre Daubigny) 


Kindly rea the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


ANTOINE PESNE 
Frencu: Circa 1684—1757 


367—PORTRAIT OF A LADY 
oO Height, 581% mohes width, 45 inches 


/ 


Nearly whole-length portrait of a lady, standing in the open and wear- — a 
ing a blue and white embroidered dress with short sleeves trimmed with — i. 
lace, a lace collar, powdered hair with white and blue lace cap, lore | 
earrings and three-row pearl bracelet. She is holding a black and — 
_white toy dog with red neck-ribbon under her right arm. 


765 
=! 


From the Catholina Lambert Collection, American Art Asbestos 


1916.—#9K8- 8 joSd - Olle Berucl, 


Se RECS Le 


we 


No. 367—Porrrait oF A Lapy 


(By Antoine Pesne) 


K nae read the Conditions under which every item is offered can sold. 
They are printed in the forepart of the Catalogue. > 


6 


SIR WILLIAM BEECHEY, R.A. 
EncoutsH: 17538—1839 | 


368—ADMIRAL BRIDPORT, K.B. ~\~" | 
Ros, Height, 50 ‘inches; width, 40 inches 

Three-quarter length, standing to front looking toward sieht wearing “4 
naval uniform, blue coat with star of order of Bath, gold chain math 


pendant, white waistcoat and breeches and gray hair; a sword 1 in his 
right hand. 7 


From the Blakeslee Galleries Collection, American Art Associaton, 


1915. — #50 - Joo - OLl Mers0f,. 


No. 368—ApmiraL Brivvort, K.B. 
(By Sir William Beechey, R.A.) 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


BRONZINO; né ALLORI (CRISTOFANO) 
FLoRENTINE: 1577—1621 


369—FOOTBALL IN FLORENCE [yt Fei Q wee { + q 


g ® , Height, 451 inches; width, 3314 inches “tid 


oa 


View of the Piazza Santa Croce with a game of football, or “Giuoco 
del Calcio,” in progress. The players, some fifty in number, occupy 
the centre of the Piazza. They are divided into three groups of about 
ten, with the others disposed in a circle around, and are all dressed in 
tight-fitting jerkins, kneebreeches and plumed caps. Around them 
in close ranks sit the spectators, at the back, against the walls of Santa 
Maria del Novella in a grandstand, while on the right-hand side, ladies 
crowd all the windows of the palace facing on the Piazza. In the fore- 
ground, on the right, are cavaliers in exaggeratedly decorative suits 
Ap classic armor, in their centre are three figures of jesters, while on 
the left are seen the halberds of the guards who keep the nea 
in order. 


From the Davanzati Palace Collection, American Art Asien 


1916. manna ARRAS os 


fas 


((ounfojsw)) woynpy gu fomzuorg fg) 
HONGUOTY NI TIV€LOOT—G9E “ON 


GIOVANNI PAOLO PANNINI 


“te 
| 810—EXTERIOR OF A PALACK —~ Ta 
a oe - Height, 47 mches; Rei 36 inchem 


+. 
a 


An elaborate palace, with tra massive columns and clone i 
- numerous figures. wearing semi-classical costumes. Ct 


From the Blakeslee Calleries Collection, American Art i 
1916. - 2¥6- P3So-— 


(Companion to ‘ollowings 


No. 370—ExtTERIor oF A PALACE 
(By Giovanni Paolo Pannini) 


Kindly read the.Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


GIOVANNI PAOLO PANNINI > 
ITALIAN: EO Ne 


371—_INTERIOR OF A PALACE 
Soe: Height, 47 inches; width, 386 inches 


Evening scene with chief entrance to a palace; exhibiting many figures 
in semi-classical costumes, two page boys hold torches at foot of a 
flight of steps and two men with musical instruments in a gallery, 
probably announce the opening of a ball or reception. | 


From the Blakeslee Galleries Collection, American Art Association, — 


1916. -#2K7. B38So- Oflo SBesnce 


(Companion to preceding) 


daydin Co, 


eS oe oo 62 


INTERIOR OF A PALACE 


No. 371 
(By Giovanni Paolo Pannint) 


) b+) , bridge. Signed. | a 


4 A , group of oxen and sheep with a peasant following. At left is 


Bf) : traveling across the centre to left, led by a peasant. Beyond is © q 


Kindly read the Conditions under which every item is offered and sold. : 


They are printed in the forepart of the Catalogue. a 


a 
The following six Wall Panels by W. Piera, Dutch Painter of the eighteenth century _ 
are signed toward lower right and dated 1781. Piera was noted for his Paysages, 
which are of extremely decorative quality and in excellent condition. These together 
with the two following overdoors, a Flower Subject and an exceptionally fine Weenix, 
are installed, for exhibition, as originally placed in the Lane apartment within the 
panels of a paneled room finished in green laque. Each painting is marked with an 
asterisk for identification. The Paneled Room will be sold the afternoon following 
this evening’s sale, Saturday, November 22, at about four p. m. . 


W. PIERA 
Dotcu® ‘Circa, 178d 


372— DECORATED WALL ANELS. (Six) 


N ; a 
*(A) TRAVELERS RESTING: Ai left foreground/is a group of 
mounted and unmounted travelers under a huge tree. Toward 
right is an old chateau and a stream, spanned by an arched 


ie Peat 


Height, 9 feet 9 inches; width, 6 feet 8 inches = = ; ‘ 
(Illustrated) | | 


WIA, t 


*(B) CATTLE RETURNING HOME. In the foreground is 


ruined cenotaph embowered with trees. At right is a romantic ¥ 3 
landscape. Signed. = 


Height, 9 feet 9 inches; width, 6 feet 8 inches ~ Fe 
si ja 
*(C) CATTLE GOING TO PASTURAGE. A group of oxen dnd ~ e 


sheep is seen debouching from a ruined edifice at right and 


a romantic lake, crested by rocks. Signed. 


Height, 9 feet 9 inches; width, 6 feet 8 inch-s 


ihn rr. 


*(A) Traveters Restine 


(By W. Prera) 


No. 372—DeEcoraATED Wat PANEL 


oe. 


a x 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 
: AL 
*(D) SHEEP RESTING. In the focespata a) flanked by trom a Be foo 
groups of trees, a herd of sheep and their shepherd are restiz ng 
4 SA . during the midday heat under the shelter of the trees. At right — 


is a peasant group before a ruined Ionic temple. Signed. =a 


i . 


Height, 9 feet 9 inches; width, 6 feet 10 inches 


(Illustrated) 


*(E) THE MARKET acon! Waa d cous cart, 

two bullocks, is seen traversing a rough road about ce mS 

a Om) right is a large statue of Venus, sheltered by trees; at left are — 
( larger trees giving a vista of a distant landscape, Signed. 


Height, 9 feet 9 mches; width, 5 feet_10 inches 


/ i es 
*(F) PEASANTS GOING TO THE a About centre, f ¢rossing | 
a rough road, is a peasant cart, drawn by two horses, driven a 
by a blue-coated man, carrying his wife to the fair. At extreme 
(K—A left are two men engaged in conversation, seated under la a7 
‘ §ag 
trees. Distant view of wooded hills. Signed, 


Fgh. 9 feet 9 inches; width, 5 feet 10 inches 


(Companions to following) 


FRENCH SCHOOL 
Lovis XVI ee 


4. Wr 


Height, 38 inches; width, 3846 inches 


313—-DECORATED OVER- DOORS a 


| 
Draped vases of flowers, enriched with gadroons and rosette motives, __ 
standing within arches. Painted en camaieu in blue, on ivory grounds. 


(Companions to preceding and following) 


No. 372—Decoratep Watt Pane: *(D) Sueer Restine 


(By W. Piera) 


if 6, (Room Panel) 


B05) 


om 


ae ' 
Kindly read the Conditions under which every item is offered and sold. 


They are printed in the forepart of the Catalogue. 


DUTCH SCHOOL 
XVIII Century 


374 —*4 SCULPTURED VASE OF FLOWERS Re 


Height, 9 feet 9 inches; width, 8 feet 8Y inches — | ha 
A large terra-cotta vase, enriched with bas-relief, ‘*The Flight to a 
Egypt,” stands on a small pee in gray, having a central. panel _ 4 
depicting the “Annunciation.” The vase is before a dense woodland Sy 
and occupied by a large bouquet of very varied flowers. | a 


(Companion to preceding and following) 


JAN BAPTIST WEENIX 
DutcH: 1621—1660 


3875 —*STILL LIFE AND LANDSCAPE 
Height, 58 inches; width, 51 inches 


In the foreground a low stone parapet crosses the canvas, surmounted 
at the left by a huge sculptured column. On the ledges of this, white 
and red grapes in large bunches are grouped with peaches and purple 
and golden plums, an oak branch with green and partly dried leaves 
crossing over the group. At the end of the branch a white-breasted 
red squirrel on the parapet is attacking it for acorns. On the ground 
or terrace below is a profusion of cut flowers and leaves, a butterfly 
fluttering over them, which has caught the attention of a small curly- 
haired white dog standing near; and at one side is a ripe melon from 
which a wedge has been cut. Beyond the parapet is a basin or canal 
in a noble garden, surrounded by classical buildings amongst which 
tall Italian cypress trees are seen. A painting big and comprehensive, 
with a wealth of color, rich but subdued, a brilliant display of technic, 
enriched with imaginative and romantic elements. 


Signed at the right, midway, J. WEENtx, 1701. 
(Companion to preceding) 
From the Gilmore Collection, Baltimore. Purchased by Mr. Gilmore 


in 1823 from Chevalier Apostool of Amsterdam, who was then 
Director of the Amsterdam Museum. 


From the Nicholas M. Matthews Collection, American Art Association, 


1914. -43- B Ho- Olle Menuet 


No. 3875—*Stitt Lire anp LAnpscAre 


(By Jan Baptist Weenix) 


INDEX OF ARTISTS!|REPRESENTED — 
AND THEIR WORKS 


PS Fie 


BARBIERI, Paoto Antonio >» 
Fruit and Flowers ey 
Fruit 


BEECHEY, Sir Wiriam, R.A, 
Admiral Bridport, K.B, 


BELLOTTO, Brernarpo 
The Doge’s Palace, Venice 


BLACKMAN, Watrer 
Italian Fisher Girl 


* BLAKELOCK, Rate Arsert, N.A. 
Sunshine on a Woodland Glade 


BONINGTON, Ricnarp ParKrEs 
Street Scene | 


“Mh, 
BOUGHTON, Grorcz H., N.A. BA. Bs 
Lake Windermere 


BROWN, J. G., N.A. 
The Little Vagabond 


BRONZINO; né Attort (Cristorano) 
Football in Florence 


BUNCE, WiuiaMm Gepney, N.A. 


Venetian Boats 


CARLISLE, Mary Heten 
The Knockmeledown Mountains from Castletown 


CHEVILLARD, VINCENT JEAN BaptTisTE 
Le Vieux Célibataire 


COOPER, TxHomas SIDNEY, R.A. 
| Cattle at Noonday Rest 


CUYP, AELBERT 
Christ on the Road to Emmaus 


DAUBIGNY, Karu Pierre 
: View of Villerville 


STagepH PA PENA, Nancisse Vinciue 
Forest of Fontainebleau 


DE LARGILLIERE, Nicoxas 
Duc de Penthiévre 


DE MIRANDA, JUAN CaRRENO 


Portrait of a Spanish Princess 


DE VELDE, Scuoot or vAN 


Marine 


DUTCH SCHOOL 
A Sculptured Vase of Flowers 


EVERDINGEN, AuartT van 


Snow in the Mountains 


FLORENTINE SCHOOL 
The Adoration 


FRENCH SCHOOL, XVIII Century 
La Marquise de Verviers 
Brother and Sister with Bird’s Nest 
Portrait of Mlle. Soubise 
Two Decorated Over-Doors 


GOODALL, Freprrickx 
The Banks of the Nile 


GOYEN, Jan van 
The Bridge 
Mouth of the Meuse 


CATALOGUE 
NUMBER 


354 
365 
366 
333 
356 
361 
341 
874 


363 


eC — 
ae 
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a 
we ” | oe 


ie a CATALOGUE 
b= ; aor NU! DLE R 

GRUBY, M. : , Ae “ 3 . oceae 

ee St. Michael’s Church, Venice | eects. . 30 


GUARDI, Francesco 
i. Masked Ball in Venice 


GUARDI, ScHoou or 

my Santa Maria del Salute, Venice 
The Plaza of St. Mark’s, Venice 
Plaza of St. Mark’s, Venice 
The Bridge of Sighs, Venice ~ 


GUE, Davin J. 
; The Open Sea 


HEDA, Wittem K1raAasz 
Still Life: Fruit Cake 


HUET, Jean Baptiste . 
A Shepherdess in Arcadia 


HUYSUM, Jaw van 


Flowers 


ITALIAN SCHOOL (XV CENTURY) 
The Marriage of St. Catherine 


KNELLER, Scoot or Sir Goprrey — 
Portrait of William III 


MABUSE, Jan van; né GossaErt-GossarpD 
The Virgin Enthroned 


METSU, Gasrier 
The Toast 


MICHEL, Gerorcers 
A Seaport 


MOREELSE, Pauvuvus 
Bartholomeus Van Segwaert, Sheriff of Dordrecht, 1607 


iy CATALOGUE 
NUMBER 
NASMYTH, Parricx 


View from Hampstead over the Weald of Harrow 353 
NORTHCOTE, James, R.A. : 

The Savoyard 325 
OUDINOT, Acuitte Francois 

On the Oise 319 
PANNINI, Scuoou or 

Venetian Palaces 340 

An Elaborate Ruined Palace 357 


PANNINI, Giovanni Paoto 


Italian Ruins 362 
Exterior of a Palace 370 
Interior of a Palace 371 


PERRONEAU, J eee BaptisTE 


_Le Marquis de Ravignac 324 

PESNE, ANToINE 

Portrait of a Lady 367 
PIERA, W. 

Six Landscape Panels 372 
PILTZ, Orro 

The Belfry 327 
POTTER, Pavi 

Milking Scene | 338 
PULIGO, Domenico 

Madonna, Child and St. John 344 
RAU, Emi. 

Tyrolese Peasant Smoking 328 


READ, CaTHERINE 
Child and Parrot 355 


REYNOLDS, Sir Josuva, P.R.A. 
Portrait of the Artist 342 


ROBERT, Hvuserr 
The Coliseum, Rome 


ROUSSEAU, E. P. Turopore 
Study of Sunlit Woods 


SATTERLEE, Watrer 
; A Medieval Princess 


STUART, Gitserr 
' Portrait of John Willet Hood 


TIEPOLO, Giovanni Barrista 
Holy Family 
Ascension of St. Margaret 


TITIAN, Scuoou oF 
The Holy Family 


TROYON, Constant 


Cows in Pasture 


VAN BOEKEL 
Birds in Foliage 


WATROUS, Henry W. 
The Letter Writer 


WEENTX, Jan Baptist 
Still Life and Landscape 


YEO, Ricuarp, R.A. 
Portrait of a Man 


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